[No title] | Gwaith Celf | Celf ar y Cyd

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[No title]

JOHN, Sir William Goscombe

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 2640

Creu/Cynhyrchu

JOHN, Sir William Goscombe

1860-1952

Rôl: Artist

Derbyniad

Gift, 12/3/1953

Mesuriadau

Uchder (cm): 33

Uchder (cm): 47

Meithder (cm): 16

Lled (cm): 23

Uchder (in): 13

Uchder (in): 18

Meithder (in): 6

Lled (in): 9

Techneg

Bronze on wooden base

Techniques (sculpture)

Fine Art - sculpture

Deunydd

Bronze

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

EATON, William

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

PIPER, John

(1950)

© Ystâd Piper/DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

PIPER, John

(1950)

© Ystâd Piper/DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Sculptor: ROBERTS-JONES, Ivor

(1978)

© DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Sir William Goscombe

(1900)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

WILLIAMS, Christopher

(1916)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Fol 1, ink: 51 working drawings for wood carvings/ on shutters in (sic) Cardiff Castle/ executed by Thomas John senr from/ designs by William Burges (a.R.a ) about the year 1874/ (Thomas John senr, farther of Sir W. Goscombe John R.A) died in 1893.</p> <p>Fol 2, pencil: carved quatrefoils/ on shutters in small dining room/ Cardiff Castle.</p> <p>Fol 37, verso, pencil: Paintings by various artists (principally by Fred Weekes)/ in Clock Tower, Cardiff Castle.</p> <p>Fol 38: from paintings in the Clock Tower, Cardiff Castle.</p> <p>Fol 45,ink: Mr Thomas Nicholls made the models in particully/ (of London), the whole of the sculpture at Cardiff Castle. Pencil: carved stone capitals in chapel/ (and other places) Cardiff Castle. By Thomas Nicholls, Sculptor.</p> <p>Several individual sketches are numbered and inscribed with locations.</p> <p>Front cover, ink: Thomas John.</p>

JOHN, Thomas

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Bowl

Production: Wood & Sons, Ltd Susie Cooper Pottery

(1932)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Wood & Sons, Ltd Susie Cooper Pottery

(1931-1932)

Amgueddfa Cymru

TOWNSEND, William

© William Townsend/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Portion of head of General Cadorna

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

MORRIS, Cedric

(1921)

© Ystâd Cedric Morris. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>Information provided by the estate of Ronald Moody:</p> <p>'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. </p> <p>On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards.</p> <p>On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'</p>

MOODY, Ronald Clive

(1937)

© The Ronald Moody Trust/Amgueddfa Cymru

Amgueddfa Cymru

WILSON, Richard (after) WHESSELL, John

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

BRANGWYN, Frank William

© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru