[No title] | Gwaith Celf | Celf ar y Cyd

Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis

Gosodiadau

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

Derbyn

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

Derbyn

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

Derbyn

Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

CLAUDE Gellée, Le Lorrain (Publisher)

EARLOM, Richard (Publisher)

BOYDELL, John (Publisher)

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 27778

Creu/Cynhyrchu

CLAUDE Gellée, Le Lorrain

(1600-1682). Studied in Italy under A. Tassi.

EARLOM, Richard

Rôl: Artist

Rôl: Engraver

Rôl: Publisher

Cyfnod: 1774

Derbyniad

Purchase, 17/12/1968

Mesuriadau

h(cm) image size:19.2

h(cm)

w(cm) image size:25.8

w(cm)

h(cm) plate size:20.7

h(cm)

w(cm) plate size:25.8

w(cm)

h(cm) primary support:29.8

h(cm)

w(cm) primary support:43.2

w(cm)

Techneg

Mezzotint and etching on paper

Mezzotint

Intaglio printing

Prints

Fine Art - works on paper

Deunydd

Paper

Ink

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Photographer: HURN David

(1999)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1977)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

GLOVER, John

(1800 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Roedd Nerys Johnson, a anwyd ym Mae Colwyn, yn guradur ac artist uchel ei pharch. Roedd hi’n byw gydag arthritis rhiwmatoid, salwch cynyddol a chronig sy’n achosi poen, chwydd ac anhyblygrwydd yn y cymalau. O ganlyniad, daeth ei gwaith yn llai o ran maint a daeth mwy o ffocws i’w gwaith wrth i’w symudedd gyfyngu. Yma, mae Johnson yn defnyddio lliwiau cefndir tywyll a gofod negyddol i bwysleisio disgleirdeb lliw a strwythur ffurfiau. Blodau oedd prif destun celf Nerys Johnson, yn enwedig yn neg mlynedd olaf ei bywyd. Yn y cyfnod hwn, roedd yn gaeth i’r tŷ fel arfer, ond roedd hi’n dal yn gallu cael gafael ar flodau fel testun brasluniau a phaentiadau. Roedd hi wrth ei bodd â’u lliwiau, gan gyfeirio at flodau fel ‘bocs paent byd natur’. Ei ffefrynnau i’w paentio oedd ‘y rhai gyda lliw cryf a ffurf drawiadol, fel tiwlipau, artisiogau, blodau haul, gerbera, pabïau, lilis ac irisau’. ‘Mae blodau wedi bod yn ffynhonnell bwysig o ysbrydoliaeth ar gyfer fy ngwaith ers amser maith. Mae nhw’n fyw, a dwi’n ceisio cyfleu y bywyd hwnnw. Maen nhw’n tyfu, yn newid, yn p ydru ac yn transnewid. Mewn braslun, caiff ymdeimlad o symudiadau, strwythur a rhythmau eu cyfleu drwy farciau a llinellau; mewn paentiad, caiff ei gyfleu drwy gydbwysedd a chyferbyniad lliwiau’. - Nerys Johnson</p>

JOHNSON, Nerys

(2000)

© Ystâd Nerys Johnson/Amgueddfa Cymru

Amgueddfa Cymru

JOHNSON, Nerys

(20th century - (second half))

© Ystâd Nerys Johnson/Amgueddfa Cymru

Amgueddfa Cymru

LLOYD JONES, Mary

© Mary Lloyd Jones/Amgueddfa Cymru

Amgueddfa Cymru

<p>Photo shoot: Linac 5 scanner room, Velindre Hospital, Cardiff, 29th November 2002</p> <p>Velindre Team. Tim Maughan in Consultant in Clinical Oncology at Velindre, Professor of Cancer Studies at the University of Wales College of Medicine and Director of Wales Cancer Trials Networks which gives Welsh patients the opportunity to take part in clinical trials. Professor Malcolm Mason is Professor of Clinical Oncology and one of the country’s leading experts in oncology, the study of tumours. Dr Malcolm Adams is the Medical / Clinical Director of Velindre and a consultant Clinical Oncologist. Together they ensure that Velindre Hospital in Cardiff provides world-class care to its patients.</p> <p>TIMOTHY MAUGHAN Place and date of birth: Farnborough, Kent 1954 Main Occupation: Consultant Clinical Onocologist, Professor of Cancer Studies First language: English Other languages: None Lived in Wales: Since 1988</p> <p>MALCOLM MASON Place and date of birth: London 1956 Main occupation: Professor of Clinical Oncology First language: English Other langauges: None Lived in Wales: Since 1992</p> <p>MALCOLM ADAMS Place and date of birth: Neath 1946 Main occupation: Medical director Consultant Clinical Oncologist First language: English Other languages: French Lived in Wales: Always</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1977)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>three parts with repeat central piece</p>

WALTON, Andrew

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: SUMMERFIELD Paddy

(1997-2007)

© Paddy Summerfield/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: GAUMY Jean

(2015)

© Jean Gaumy / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2007)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>This watercolour scene reveals both the natural beauty on the surface of the Parys Mountain in Anglesey, as well as its exposed underbelly – a source of raw wealth in the form of copper ore that was systematically mined from it. The workers in the image, busy excavating copper, as much a result of the landscape as the copper itself in many ways. It begs the question what could be more Welsh than the landscape of Wales, and what could this reveal about Black history. Perhaps it reveals a defining feature of it - how well it is hidden until you point it out. </p> <p>The copper mined here was shipped out, first to the ports at Swansea, and then sold around the world, even being used to sheath the hulls of Nelson’s naval ships. Beyond ships, which in themselves played a role in exercising colonial powers over others, copper was also used for the copper plates that were used to boil sugar, grown and harvested by enslaved Africans on plantations across the Caribbean islands, as well as various copper artefacts that were traded from enslaved Africans across West Africa.</p> <p>This work is included in the PITCH BLACK digital Black History tours of the National Museum Wales collections.</p>

SMITH, John "Warwick"

(1785)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

(1908)

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1962)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: VINK, John

(1997)

© John Vink / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Whitewater. Highway 10 is the direct route into Los Angeles from Arizona and the West. Thousands of huge trucks travel directly along the fault zone for at least 40 miles from Indio to Whitewater. Near Whitewater is Americas most famous truck stop, Wheel Inn Restaurant with the two bizarre giant Dinosaurs gracing its lorry park (closed September 2013).</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

© David Hurn / Magnum Photos / Amgueddfa Cymru