Plate | Gwaith Celf | Celf ar y Cyd

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Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

Plate

Coalport (Painter)

Pardoe, Thomas (Painter)

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Plate, hybrid-paste porcelain with a deep earthy-orange translucency; standing on a straight sided foot rim curving into cushion moulded and straight spreading sides; painted in the centre with an arrangement of fruit and leaves, including a lemon and plums, and an insect; gilt band to the lip.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 34139

Creu/Cynhyrchu

1770-1823

Rôl: Production

Rôl: Factory

Rôl: Production

Rôl: Painter

Lle: Coalport, England

Lle: Bristol, England

Cyfnod: 1812-1816

Derbyniad

Bequest, 10/12/1953

Mesuriadau

Uchder (cm): 2.8

diam (cm): 20.9

Uchder (in): 1

diam (in): 8

Techneg

Press-moulded

Forming

Applied Art

Glazed

Decoration

Applied Art

Enamelled

Decoration

Applied Art

Gilded

Decoration

Applied Art

Deunydd

Hybrid-paste porcelain

Enamel

Gilding

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

THOMAS, Thomas Henry

(1874)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

THOMAS, Thomas Henry

(1874)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Vase

Production: Marinot, Maurice

(1929)

© Maurice Marinot/Amgueddfa Cymru

Amgueddfa Cymru

Designer: SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Tall vase or pot, red earthenware, composed of five bulbous sections wheel thrown and joined one on top of the other; the surface is embellished in a remarkably free, expressionistic manner, with splashes and running streaks of glaze in may colours, predominantley white, yellow, black and brown, with areas of the fired body visible, the artist has vigorously manipulated the top section, which has deep finger gouges around its circumference, the lower two sections are inscribed with letters (inscription TBC), beneath some areas of glaze and on the unglazed areas the surface of the body has been incised with comparatively standardised, geometric decoration.</p>

Production: Carroll, Simon

(2006)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Wiinblad, Bjørn Nymølle

(1988 ca)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Sculpture, cast glass, in the form of a quadrilateral block with sloping top surface and straight sides sloping in to the flat base, an impression of the artist's face cast into the top surface and reflected in the mirrored base, striations and small air bubbles within the body of the glass.</p>

Production: Romanelli, Bruno

(2005)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Sculpture, soft-paste porcelain with clear glaze, comprises a heavily cracked monumental rectangular plinth surmounted by a writhing mass of modelled and collaged organic forms that are both identifiable (human limbs) and ambiguous fragments that resemble folded pieces of skin, flowers and tendrils, bones and sinews, and other natural forms; covered over much of the surface with a clear glaze, with unglazed surfaces also apparent.</p>

Production: Kneebone, Rachel

(2014)

Amgueddfa Cymru

THOMAS, Thomas Henry

(1874)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

THOMAS, Thomas Henry

(1874)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

THOMAS, Thomas Henry

(1874)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

THOMAS, Thomas Henry

(1874)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

THOMAS, Thomas Henry

(1874)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Clear resin or plastic painted on the back with white enamel paint, portrait orientation, laser cut from the back with a series of rounded rectangular forms of varying sizes and depths; the cut sections form a gently sweeping composition.</p>

Production: Horsman, Vaughn

(2013)

Amgueddfa Cymru

Vase

Production: Marinot, Maurice

(1930)

© Maurice Marinot/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Ring

Production: Zahn, Helga

(1962)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Day, Lucienne Heal Fabrics

(1953)

Amgueddfa Cymru

Instruction Manual

Production: BERROCAL, Miguel

(1973)

© ADAGP, Paris a DACS, London 2025/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Vase

Production: Clarke, Norman Stuart

(1983)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>3D printed form, made from layers of powdered nylon substrate combined with pigmented solvent, white in colour; the two pieces combine to form a three dimensional representation of the letter 'F' in a traditional Germanic typeface.</p>

Production: Ravensbourne Johnson Banks

(2013)