[No title] | Gwaith Celf | Celf ar y Cyd

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[No title]

JOHN, Augustus

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 3470

Creu/Cynhyrchu

1878-1961

Rôl: Artist

Derbyniad

Gift, 11/10/1920

Mesuriadau

Uchder (cm): 28.5

Lled (cm): 23

Uchder (in): 11

Lled (in): 9

h(in) plate size:4 15/16

h(in)

w(in) plate size:3 27/32

w(in)

Techneg

Etching

Intaglio printing

Prints

Fine Art - works on paper

Deunydd

Ink

Paper

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1954 ca)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

Study of a flower

BARBER, W.T.B.

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

John Bryant, Asiant y Pwll, Hirwaun

CHAPMAN, W. J. (attributed to)

(1835-1840)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Cafodd Hoyland ei hyfforddi yn Ysgolion yr Academi Frenhinol a daeth dan ddylanwad Mynegiadaeth Haniaethol yn ystod ymweliad â'r Unol Daleithiau. Ers iddo ddod yn amlwg ym 1961, mae wedi gweithio fel peintiwr haniaethol ac fel un o feistri lliw blaenaf Prydain. Yn y cyfansoddiad byrlymus hwn, mae'r cynfas wedi ei rannu ar draws a'r naill hanner yn gwadu'n ffurfiol y syniadau a fynegir yn yr hanner arall. Efallai mai llygriad o'r Lladin 'ligea', sy'n golygu 'duwies y coed', yw'r teitl.</p>

HOYLAND, John

(1978)

© Ystâd John Hoyland. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

JONES, David

(1948)

© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

UZZELL EDWARDS, John

(1977 ca)

© John Uzzell-Edwards/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

GAUDIER-BRZESKA, Henri

(20th century - (first half))

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

PAOLOZZI, Eduardo Editions Alecto, London Kelpra Studio, London

(1965)

© The Paolozzi Foundation. Trwyddedwyd gan DACS/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

(1907)

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>Hanesydd ac awdur teithio yw Jan Morris, a ddisgrifir fel ‘Flaubert oes y jet’. Fe’i ganed yn James Morris, a chafodd lawdriniaeth newid rhyw ym 1972. Mae’n bosib mai Conundrum (1972), ei disgrifiad didwyll a theimladwy o ddarganfod ei gwir hunaniaeth fel menyw, a cheisio mynd ar ôl hynny, yw’r llyfr mwyaf dylanwadol o’i fath. Fel newyddiadurwr, Morris oedd y cyntaf i adrodd am goncro Mynydd Everest ym 1953. Mae ei phortreadau atmosfferig o ddinasoedd, yn cynnwys Fenis, Rhydychen ac Efrog Newydd, yn cael eu hedmygu’n eang, fel y mae ei thair cyfrol am hanes yr Ymerodraeth Brydeinig, Pax Britannica.</p>

HURN David

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

LEWIS, Edward Morland

(20th century)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Commissioned for HEADS OF THE VALLEYS project. A series of 21 photographic works commissioned by ARTS+MINDS, an arts and regeneration initiative in Blaenau Gwent, south Wales, 2015-18</p>

Photographer: SCHNEIDERMANN, Clémentine

(2015)

© Clémentine Schneidermann/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Fenis, Y Cyfnos

HODGKIN, Howard

(1996)

© Ystâd Howard Hodgkin. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: SOBOL Jacob Aue

(2001)

© Jacob Aue Sobol / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru