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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

Dish, Britannia silver, irregular ovel form bisected by a curving triple-grooved section that widens towards the rim, small cast and oxidised silver rocks fixed to the sides of the grooves and eight more loose rocks to be distributed in front of the wide ends of the grooves.

Rauni, Higson (Silversmith)
<p>Dish, Britannia silver, irregular ovel form bisected by a curving triple-grooved section that widens towards the rim, small cast and oxidised silver rocks fixed to the sides of the grooves and eight more loose rocks to be distributed in front of the wide ends of the grooves.</p>
Delwedd: © Rauni Higson/Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (6)

Dish, Britannia silver, irregular ovel form bisected by a curving triple-grooved section that widens towards the rim, small cast and oxidised silver rocks fixed to the sides of the grooves and eight more loose rocks to be distributed in front of the wide ends of the grooves.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 51754

Creu/Cynhyrchu

Rauni, Higson
Rôl: Silversmith
Lle: Talysarn, Gwynedd
Cyfnod: 2017

Derbyniad

Purchase with funds given by Rita Plowman, 24/10/2017

Mesuriadau

Meithder (cm): 42.5
Lled (cm): 28.5

Techneg

Cut
Decoration
Applied Art
Raised
Forming
Applied Art
Chased
Decoration
Applied Art
Soldered
Forming
Applied Art
Cast
Forming
Applied Art
Oxidised
Decoration
Applied Art

Deunydd

Silver, Britannia standard

Lleoliad

In store
Mwy

Tags


  • Arian/Metel Gwerthfawr
  • Celf Gymhwysol
  • Metelwaith

Rhannu


Mwy fel hyn


Amgueddfa Cymru
<p>Study of head facing left with hat</p>
SUTHERLAND, Graham Vivian
(1956)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
Vase
Production: Davies, Lowri
(2011)
© Lowri Davies/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: MORGAN, Llew. E.
Amgueddfa Cymru
[No title]
BRANGWYN, Frank William
© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
SHORT, Sir Frank TURNER, Joseph Mallord William (after)
(1920)
Amgueddfa Cymru
[No title]
STEEGMAN, John
(1946)
© John Steegman/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: MORGAN, Llew. E.
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
(1966)
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
<p>Information provided by the estate of Ronald Moody:</p> <p>'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. </p> <p>On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards.</p> <p>On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'</p>
MOODY, Ronald Clive
(1937)
© The Ronald Moody Trust/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
FORAIN, Jean-Louis
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
EVANS, Merlyn
(1953)
© Merlyn Oliver Evans/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1947)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
TAYLOR, Robert
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, David
(1926)
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HANCOCK, John
Trwy ganiatâd Amgueddfa Cymru

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