[No title]

HERMAN, Josef

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 1604

Historical Associations

Association Type: Provenance

Associated Person/Body: Roland, Browse & Delbanco

Association Type: Dealer

Date: 1960

Place: London, England

Associated Person/Body: Davies, Margaret

Association Type: Private collector

Date: 04/1960

Creu/Cynhyrchu

HERMAN, Josef

1911-2000

Rôl: Artist

Derbyniad

Bequest, 12/12/1963

Mesuriadau

Uchder (cm): 18.1

Lled (cm): 23.3

Uchder (in): 7

Lled (in): 9

Techneg

Oil on millboard

Techniques (fine art)

Art dept - fine

Fine Art - painting

Deunydd

Oil

Millboard

Lleoliad

In store

Mwy

Rhannu

Mwy fel hyn

Amgueddfa Cymru

This watercolour scene reveals both the natural beauty on the surface of the Parys Mountain in Anglesey, as well as its exposed underbelly – a source of raw wealth in the form of copper ore that was systematically mined from it. The workers in the image, busy excavating copper, as much a result of the landscape as the copper itself in many ways. It begs the question what could be more Welsh than the landscape of Wales, and what could this reveal about Black history. Perhaps it reveals a defining feature of it - how well it is hidden until you point it out. The copper mined here was shipped out, first to the ports at Swansea, and then sold around the world, even being used to sheath the hulls of Nelson’s naval ships. Beyond ships, which in themselves played a role in exercising colonial powers over others, copper was also used for the copper plates that were used to boil sugar, grown and harvested by enslaved Africans on plantations across the Caribbean islands, as well as various copper artefacts that were traded from enslaved Africans across West Africa. This work is included in the PITCH BLACK digital Black History tours of the National Museum Wales collections.

SMITH, John "Warwick"

(1785)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

Photographer: HURN David

(1997)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2016)

Amgueddfa Cymru

[No title]

RATHMELL, Thomas

Amgueddfa Cymru

Full title: In Santiago there is a vast population of vagabond children who beg in the parks, sleep anywhere they can, forming an independant sort of tribe in the middle of the city with their own language, customs, etc. They work with older men who use them for begging, teaching them the routine and habits and crime which is their only future. The kids are shy of the poor houses, because they are badly treated and fed. Often people give them money and food. They gather in clans, often run by older boys who holda homosexual hold over them. On the whole the street is fun for them, and they prefer that to the safety of state institutions.

Photographer: LARRAIN Sergio

(1955)

Amgueddfa Cymru

Y Gwerthwr Rygiau, Tréboul

WOOD, Christopher

(1930)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

HALL, Clifford

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2016)

Amgueddfa Cymru

Cafodd y gwaith hwn ei brynu yn y 1960au hwyr gan CASW (Cymdeithas Celfyddyd Gyfoes Cymru), cyn cael ei roi fel rhodd i Gyngor Celfyddydau Cymru.

RICHARDSON-JONES, Keith

Amgueddfa Cymru

Dydd Llun Golchi. Cwm Rhondda, Cymru

Photographer: HURN David

(1972)

Amgueddfa Cymru

Lilïau Dŵr

MONET, Claude

(1906)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

CECIL, Roger

(2001)

Amgueddfa Cymru

[No title]

EVANS, Merlyn

(1953)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2016)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(1964)

Amgueddfa Cymru

abstract with white square

BREWER, Paul

Amgueddfa Cymru

Smash and grab raid on A B David jewellers and Silversmiths. Photographed when I was on my way to my ritual morning coffee. Published as a wrap around cover of the Sunday Mirror.

Photographer: HURN David

(1969)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2016)

Amgueddfa Cymru

Blodau a Sidan: Symffoni Las

BOMBERG, David

(1947)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Merch i bensaer oedd Goncharova a fu'n astudio celf yn Moscow, lle cyfarfu â'i chyfaill oes, y peintiwr Mikhail Larionov. Ym 1911 gwnaeth Goncharova ei chynlluniau cyntaf ar gyfer ballet Rwsiaidd Diaghilev, ac ym 1917 aeth i Baris i fyw. Mae'r cyfansoddiad Dyfodolaidd bywiog hwn o 1912-13 yn darlunio merch â sgarff am ei phen yn pwyso ar ŵydd sy'n cael ei oleuo gan olau trydan.

GONCHAROVA, Natalia

(1912-1913)

Gosodiadau Cwcis

Angenrheidiol

Cwcis sy'n mesur defnydd y wefan

Cwcis sy'n helpu gyda chyfathrebu a marchnata

[No title]

Manylion

Collection

Rhif yr Eitem

Historical Associations

Creu/Cynhyrchu

Derbyniad

Mesuriadau

Techneg

Deunydd

Lleoliad

Tags

Rhannu

Mwy fel hyn