[No title] | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

HERMAN, Josef

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 1604

Historical Associations

Association Type: Provenance

Associated Person/Body: Roland, Browse & Delbanco

Association Type: Dealer

Date: 1960

Place: London, England

Associated Person/Body: Davies, Margaret

Association Type: Private collector

Date: 04/1960

Creu/Cynhyrchu

1911-2000

Rôl: Artist

Derbyniad

Bequest, 12/12/1963

Mesuriadau

Uchder (cm): 18.1

Lled (cm): 23.3

Uchder (in): 7

Lled (in): 9

Techneg

Oil on millboard

Techniques (fine art)

Art dept - fine

Fine Art - painting

Deunydd

Oil

Millboard

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Photographer: DWORZAK Thomas

(2002)

© Thomas Dworzak / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Comisynwyd gwaith efydd Alfred Gilbert ym 1882 gan Frederic Leighton (yr Arglwydd Leighton wedi hynny), a gadawyd i'r cerflunydd ddewis ei bwnc. Dewisodd Icarws, mab chwedlonol y dyfeiswr Groegaidd, Daedalws. Rhoes ei dad adenydd a phlu o gwyr iddo, ond hedfanodd Icarws yn rhy agos i'r haul gan syrthio i'r ddaear ar ôl i'r cwyr doddi. Mae hwn yn dangos dylanwad amlwg Donatello ac mae'n un o weithiau efydd harddaf y bedwaredd ganrif ar bymtheg. Cydnabyddwyd safon eithriadol o uchel y gwaith gan yr Academi Frenhinol ym 1884 a bu'n gyfrwng i sefydlu Gilbert fel cerflunydd mwyaf dylanwadol ei genhedlaeth. Defnyddiwyd Icarws yn aml i ymgorffori peryglon uchelgais yr ifainc ac ystyriai Gilbert fod y gwaith efydd yn fath o hunan bortread seicolegol. Mae hwn yn ddarn unigryw a gafodd ei gastio yn Napoli. Dywedai Gilbert mai hwn oedd ei hoff waith.</p>

GILBERT, Sir Alfred

(1884)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

MALTHOUSE, Eric

(1967 ca)

© Eric Malthouse/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: McCURRY Steve

(2016)

© Steve McCurry / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

MALTHOUSE, Eric

(1967 ca)

© Eric Malthouse/Amgueddfa Cymru

Amgueddfa Cymru

PIPER, John

(20th century)

© Ystâd Piper/DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

HANCOCK, John

(1916)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

WILLIAMS, Harry Hughes

(1942 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1964)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

DIXON, Harry

Amgueddfa Cymru

JOHN, Augustus

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2003)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

KINSELA, Robyn

(2006)

© Robyn Kinsela/Asiantaeth Hawlfraint. Trwyddedwyd gan DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

WILLING, Victor

(1978)

© *********/Amgueddfa Cymru

Amgueddfa Cymru

HOWARD-JONES, Ray

(1970s)

© Nicola Howard-Jones/Amgueddfa Cymru

Amgueddfa Cymru

MARINOT, Maurice

(1947)

© Maurice Marinot/Merat Vincent/Amgueddfa Cymru

Amgueddfa Cymru

Bundoran, Swydd Donegal, Iwerddon

Photographer: POWER Mark

(1993)

© Mark Power / Magnum Photos / Amgueddfa Cymru