[No title]

JONES, David

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 2797

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

JONES, David

1895-1974

Rôl: Artist

Cyfnod: 1924

Derbyniad

Purchase, 3/5/1989

Mesuriadau

Uchder (cm): 19.6

Lled (cm): 13.8

Uchder (in): 7

Lled (in): 5

Techneg

Ink, bodycolour and pencil on paper

Deunydd

Pencil

Ink

Watercolour

Bodycolour

Lleoliad

In store

Mwy

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Studies of trees

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

[No title]

GWYNNE-JONES, Allan

Amgueddfa Cymru

detailed landscape

MACFARLANE, John

(1978)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2016)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

[No title]

Photographer: BENTON HARRIS John

(1976)

Amgueddfa Cymru

[No title]

Photographer: BERRY Ian

(1969)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

[No title]

BJORNSEN, Maria

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

[No title]

NEVINSON, C.R.W

Amgueddfa Cymru

[No title]

JOHNSON Walter R. H.

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Information provided by the estate of Ronald Moody: 'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards. On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'

MOODY, Ronald Clive

(1937)

Amgueddfa Cymru

[No title]

EVANS, Merlyn

(1957)

Amgueddfa Cymru

[No title]

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

Photographer: JOYCE, Paul

(1979)

Amgueddfa Cymru

[No title]

CLAUDE Gellée, Le Lorrain EARLOM, R Boydell, John

(1774)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

BOMBERG, David

Amgueddfa Cymru

[No title]

DEVIS, Anthony

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

SUTHERLAND, Graham Vivian

Amgueddfa Cymru

Full title: A family walk on the beach at Largo in East Scotland, the birthplace of Alexander Selkirk; who was the sailor who was the character that Robinson Cruscoe was written about by Daniel Defoe.

Photographer: HURN David

(2016)

Amgueddfa Cymru

[No title]

Photographer: ZACHMANN Patrick

(1984)

Amgueddfa Cymru

[No title]

Photographer: HURN David

(2014)

Gosodiadau Cwcis

Angenrheidiol

Cwcis sy'n mesur defnydd y wefan

Cwcis sy'n helpu gyda chyfathrebu a marchnata

[No title]

Manylion

Collection

Rhif yr Eitem

Historical Associations

Creu/Cynhyrchu

Derbyniad

Mesuriadau

Techneg

Deunydd

Lleoliad

Tags

Rhannu

Mwy fel hyn