[No title] | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

BARKER of Bath, Thomas

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 18897

Creu/Cynhyrchu

BARKER of Bath, Thomas

1769-1847

Rôl: Artist

Cyfnod: 1795

Derbyniad

Gift, 6/10/1930

Mesuriadau

Uchder (cm): 36.4

Lled (cm): 50.9

h(cm) secondary support:39.4

h(cm)

w(cm) secondary support:53.8

w(cm)

Techneg

Ink and wash on paper

Ink on paper

Drawings and watercolours

Fine Art - works on paper

Deunydd

Ink

Wash

Paper

Canvas

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Hwfa Môn was the name taken by the Anglesey-born poet and independent minister, Rowland Williams (1823-1905), when he was invested as a Bard in 1849. In 1894 he was elected Archdruid, head of the Gorsedd of Bards. Originally from Bavaria, Herkomer settled in Britain and had a lifelong loyalty to Wales. He much admired the bardic traditions and was closely involved in the National Eisteddfod of Wales, the annual festival of Welsh culture, over which the Gorsedd presided. This interest may have been sparked by his second and third wives, the sisters Lulu and Margaret Griffiths, who were Welsh. </p> <p>This portrait was made during the 1895 Eisteddfod at Llanelli at which Herkomer awarded the prizes in the art section. He wrote a short article in The Graphic following his visit, in which he objected to the costumes of the Gorsedd. He thought they needed 'overhauling' and could be made 'not only picturesque but archaeologically correct'. He subsequently designed new ones, which were used at the 1897 Newport Eisteddfod. This drawing was reproduced as a lithograph to accompany The Graphic article. Herkomer also produced an extraordinary finished watercolour of the same sitter, which is now in the Forbes Magazine collection, New York.</p> <p>An 1894 photograph shows the Archdruid (Clwydfardd) wearing the mitre worn by Hwfa Mon in this drawing. HM appears in another photograph in the same old costume at Llandudno National Eisteddfod in 1896. The new costume designed by Herkomer was first worn by HM in the proclomation ceremony for the Newport National Eisteddfod, August 1896.</p> <p>NMWA 3708 was reproduced as a lithograph in`The Graphic', 10 August 1895, p. 160, the opposite page (161) reproduces another Herkomer portrait of "Gurnos" Jones, conductor of the Welsh Eisteddfod. </p> <p>Hubert von Herkomer, `Hwfa Mon, Archdruid of Wales' 1896, watercolour, Forbes Magazine Collection, New York (P79177-W), in a white and gold frame designed by the artist.</p> <p>Source: Victorian Visions 2004-05 catalogue entry by Beth McIntyre</p>

HERKOMER, Sir Hubert von

(1895)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

VAUGHAN, Keith

(1944)

© Ystâd Keith Vaughan. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

JACKSON, Dilys

(1996)

© Dilys Jackson/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: CARTIER-BRESSON, Henri

(1949)

© Foundation Henri Cartier-Bresson / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

GRIFFITH, Moses

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

ROPER, Frank

© Frank Roper/Amgueddfa Cymru

Amgueddfa Cymru

<p>Dyma un o ddarnau taflunio golau cynnar yr artist o America, James Turrell, ac mae’n cynnwys rhomboid o olau pinc yn cael ei daflu i gornel ystafell, gan roi argraff o byramid tri dimensiwn goleuol yn hofran yn y tywyllwch. Wrth i’r arsyllwr symud tuag at y pyramid arnofiol yma, mae’n diflannu yn y pen draw i ddarn gwastad o olau. Mae arfer Turrell yn cynnwys archwilio golau a lle wrth iddo greu gwaith uchelgeisiol sy’n canolbwyntio ar ein profiad o liw yn ei ffurf fwyaf pur. Mae ei osodweithiau’n drochol, yn fyfyriol, ac yn aml yn llethol.</p>

TURRELL, James

(1968)

© James Turrell/Amgueddfa Cymru

Amgueddfa Cymru

HOLLAND, Harry

© Harry Holland/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: SESSINI, Jerome

(2016)

© Jerome Sessini / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: MEADOWS, Daniel

(1976)

© Daniel Meadows. Cedwir Pob Hawl. DACS/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: DEPOORTER Bieke

© DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Red cross baby sitting classes. Red Cross workers run baby sitting classes in the Phoenix chapter. The students are aged from 11-15. They learn how to protect children from accidents and injury. They learn first aid for choking and bleeding, mouth to mouth and the Heimlich manoeuvre, and dealing with crying and changing diapers etc. At the end of the course they receive a certificate. Here we see learning the Heimlich manoeuvre.</p>

Photographer: HURN David

(1997)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1969)

© David Hurn / Magnum Photos / Amgueddfa Cymru