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Plate

Cambrian Pottery (Design Source)
Pardoe, Thomas (Design Source)
Curtis's Botanical Magazine (Design Source)
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Circular plate, pearlware, flat base. Inner rim border of a band of light-brown enamel circles, interspersed with small dark brown leaf sprigs. Centre painted with a botanical illustration of the 'Mountain Primula' (identified as Primulia on reverse): brown roots, green leaves, purple flowers with yellow centres. Plate broken and repaired, rim chipped.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 30517

Creu/Cynhyrchu

Cambrian Pottery
Established in Swansea in 1764, the Cambrian Pottery reached its creative peak under the proprietorship of Lewis Weston Dillwyn (1778-1855), who ran the Pottery (with a break between 1817 and 1824) from 1802 to 1836. Lewis Weston Dillwyn was a natural scientist, antiquarian, Member of Parliament, magistrate and landowner whose intellectual interests drove the Cambrian Pottery to become one of the most ambitious and artistically accomplished British potteries of the early 19th century. While the porcelain manufactured in Swansea between 1814 and 1825 justifies its reputation as among the finest of British porcelains, the pottery produced under Dillwyn’s ownership between 1802 and about 1809 was at its best an equally impressive achievement, most particularly that made for sale in the Pottery’s Cambrian Warehouse in London 1806-1808, the context for which this supper service was most likely created.
Pardoe, Thomas
1770-1823
Curtis's Botanical Magazine
Rôl: Production
Rôl: Factory
Rôl: Production
Rôl: Decorator
Rôl: Production
Rôl: Design Source
Lle: Swansea
Cyfnod: 1800 ca

Derbyniad

Purchase, 1898

Mesuriadau

Uchder (cm): 2.2
diam (cm): 20.6
Uchder (in): 7
diam (in): 8

Techneg

Jiggered
Forming
Applied Art
Enamelled
Decoration
Applied Art

Deunydd

Earthenware

Lleoliad

In store
Mwy

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  • Celf Gymhwysol
  • Cerameg

Rhannu


Mwy fel hyn


Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Cup, coffee and saucer
Production: Midwinter Ltd, W.R. Midwinter, Roy and Lunt, William Tait, Jessie
(1957 ca)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Pot, coffee and cover
Production: Midwinter Ltd, W.R. Midwinter, Roy and Lunt, William Tait, Jessie
(1957 ca)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Cup, coffee and saucer
Production: Midwinter Ltd, W.R. Midwinter, Roy and Lunt, William Tait, Jessie
(1959)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Plant pot
Production: Wiinblad, Bjørn Nymølle
(1988 ca)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Sculpture, cast glass, in the form of a quadrilateral block with sloping top surface and straight sides sloping in to the flat base, an impression of the artist's face cast into the top surface and reflected in the mirrored base, striations and small air bubbles within the body of the glass.</p>
Production: Romanelli, Bruno
(2005)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Sculpture, soft-paste porcelain with clear glaze, comprises a heavily cracked monumental rectangular plinth surmounted by a writhing mass of modelled and collaged organic forms that are both identifiable (human limbs) and ambiguous fragments that resemble folded pieces of skin, flowers and tendrils, bones and sinews, and other natural forms; covered over much of the surface with a clear glaze, with unglazed surfaces also apparent.</p>
Production: Kneebone, Rachel
(2014)
Amgueddfa Cymru
[No title]
THOMAS, Thomas Henry
(1874)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Sculptural form, unglazed white porcelain, comprising a thin-walled, simple, rounded open bowl with very narrow convex base and simple rim, the second component is a flat, thin disc of porcelain with visible inclusions and pierced holes that sits upright in the bowl by slotting it into two vertically-pierced clay supports.</p>
Production: Duckworth, Ruth
(2009)
Amgueddfa Cymru
[No title]
THOMAS, Thomas Henry
(1874)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
THOMAS, Thomas Henry
(1874)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
THOMAS, Thomas Henry
(1874)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
THOMAS, Thomas Henry
(1874)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Clear resin or plastic painted on the back with white enamel paint, portrait orientation, laser cut from the back with a series of rounded rectangular forms of varying sizes and depths; the cut sections form a gently sweeping composition.</p>
Production: Horsman, Vaughn
(2013)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Pot, coffee and cover
Production: Midwinter Ltd, W.R. Queensberry, David (Marquis of Queensberry) Midwinter, Roy
(1962-1978)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Dish, vegetable, and cover
Production: Midwinter, Roy Tait, Jessie Queensberry, David (Marquis of Queensberry)
(1962 ca)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Pure Evil 'Gold' Bunny figure, bone china, a stylised rabbit figure with fangs, two front legs and one rear leg; glazed in gold. Original cardboard box.</p>
Factory: Royal Doulton Ltd Charley, Uzzell Edwards
(2015)
Amgueddfa Cymru
Vase
Production: Marinot, Maurice
(1930)
© Maurice Marinot/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Ring
Production: Zahn, Helga
(1962)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Fabric
Production: Day, Lucienne Heal Fabrics
(1953)
Amgueddfa Cymru
Instruction Manual
Production: BERROCAL, Miguel
(1973)
© ADAGP, Paris a DACS, London 2025/Amgueddfa Cymru

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