[No title] | Gwaith Celf | Celf ar y Cyd

Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis

Gosodiadau

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

Derbyn

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

Derbyn

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

Derbyn

Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

MORSE BROWN, Sam

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 18950

Creu/Cynhyrchu

MORSE BROWN, Sam

Rôl: Artist

Cyfnod: 1937

Derbyniad

Gift, 21/1/1938

Mesuriadau

Uchder (cm): 52.3

Lled (cm): 38.7

Techneg

Conté crayon and chalks on paper

Drawings and watercolours

Fine Art - works on paper

Deunydd

Conté crayon

White chalk

Paper

Lleoliad

in store - verified by BD

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

<p>abstract, green moulded piece</p>

SETCH, Terry

(1977)

© Terry Setch/Amgueddfa Cymru

Amgueddfa Cymru

<p>abstract, green moulded piece</p>

SETCH, Terry

(1977)

© Terry Setch/Amgueddfa Cymru

Amgueddfa Cymru

SELWAY, John

(1969)

© John Selway/Levi Selway/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

CROMEK, Thomas

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1967)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2012)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: In Santiago there is a vast population of vagabond children who beg in the parks, sleep anywhere they can, forming an independant sort of tribe in the middle of the city with their own language, customs, etc. They work with older men who use them for begging, teaching them the routine and habits and crime which is their only future. The kids are shy of the poor houses, because they are badly treated and fed. Often people give them money and food. They gather in clans, often run by older boys who holda homosexual hold over them. On the whole the street is fun for them, and they prefer that to the safety of state institutions.</p>

Photographer: LARRAIN Sergio

(1955)

© Sergio Larrain / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2008)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Augustus

(1900-1910)

© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

BRANGWYN, Frank William

© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

PISSARRO, Camille

(1890 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

MARINOT, Maurice

(1947)

© Maurice Marinot/Merat Vincent/Amgueddfa Cymru

Amgueddfa Cymru

MARINOT, Maurice

(1944)

© Maurice Marinot/Merat Vincent/Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1979)

© David Hurn / Magnum Photos / Amgueddfa Cymru