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Colofn Aml-Doriad

NASH, David
Colofn Aml-Doriad
Delwedd: © David Nash. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (5)

Ganed David Nash yn Lloegr, ac mae wedi bod yn byw ac yn gweithio ym Mlaenau Ffestiniog ers 1967. Gan ymgartrefu yng Nghapel Curig, mae hen Gapel Rhiw yn stiwdio iddo. Mae Nash yn ymwybodol o’r amgylchedd, gan gredu – gan ein bod “ni i gyd oddi mewn ac yn rhan o’r amgylchedd” – ein bod ni i gyd wedi effeithio arno. Mae byd natur, y tirlun a choed yn ffurfio canolbwynt i waith Nash. Mae hyn yn cynnwys coed byw a choed sydd wedi cwympo’n naturiol neu sydd â chlefyd. Er mwyn creu ei gerfluniau, mae Nash yn torri, yn cerfio, yn llosgi ac yn trin y pren. Mae ei waith yn cyfuno ffurfiau haniaethol a ffigurol. I’r un darn hwn o bren ffawydd, cerfiodd Nash wyth ddarn gwastad. Gan ddefnyddio llif gadwyn, torrodd holltau llorweddol yn ofalus i mewn i’r pren i wneud y toriadau. Yna, gadawyd y golofn i sychu’n naturiol, ac arweiniodd hyn at ffurfio craciau a chamdroadau sy’n creu’r gwahanol weadau a siapiau.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A(L) 1183

Creu/Cynhyrchu

NASH, David
b. 1945
Rôl: Artist
Cyfnod: 2000

Mesuriadau

Uchder (cm): 240.5
Lled (cm): 75.5
Meithder (cm): 77
Uchder (in): 94
Lled (in): 29
Meithder (in): 30

Techneg

Wood
Techniques (fine art)
Art dept - fine
Fine Art - painting

Deunydd

Beech

Lleoliad

In store
Mwy

Tags


  • Artistiaid Y 21Ain Ganrif
  • Astudiaeth Natur
  • Casgliad Ymddiriedolaeth Derek Williams
  • Celf Gain
  • Celf Gain
  • Celf Gain Ar Fenthyg
  • Cerflun
  • Cysylltiad Cymreig
  • Haniaethol
  • Ôl 1900
  • Ôl 1945

Rhannu


Mwy fel hyn


Amgueddfa Cymru
[No title]
Photographer: HURN David
(1975)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
(1896-1900)
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
(1896-1900)
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
(1896-1900)
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2014)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
CHAPMAN, George
(1959 ca)
© H. Chapman/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
SHAW, George Hole Editions Lee Turner
(2014)
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1997)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
RYSBRACK, Pieter Andreas VANDER GUCHT, G.
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SMITH, John "Warwick"
(1792)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1971)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
<p>Ri Hyang Yon, 21, dancer in the Arirang Games, during a practice session in the car park, May Day Stadium, Pyongyang.</p> <p>[Source: BBC, 2014]</p>
Photographer: DANZIGER Nick
(2013)
© Danziger Nick/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1950 ca)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1950 ca)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2002)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(2014)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1999)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
LEIGHTON, Frederick
(19th century)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(2016)
© David Hurn / Magnum Photos / Amgueddfa Cymru

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