Myrddin ac Arthur | Gwaith Celf | Celf ar y Cyd

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Myrddin ac Arthur

JOHN, Sir William Goscombe

Ar droad y 19eg ganrif gwelwyd adfywiad yn y diddordeb yn nelweddau a chwedloniaeth y Celtiaid yng Nghymru. Y cerflun efydd hwn, a arddangoswyd yn yr Academi Frenhinol ym 1902, yw unig waith John ar thema Arthuraidd. Yn ôl chwedloniaeth ganoloesol, bu'r bardd a'r dewin Cymreig, Myrddin, yn cynorthwyo Uthr Bendragon wrth iddo hudo Yguerne, gwraig Dug Cernyw. Traddodwyd y plentyn a ddeilliodd o'u perthynas, y Brenin Arthur yn ddiweddarach, i ofal Myrddin. Mae ystum a gwisg y cerflun hwn yn dangos dyled i Rodin, yn arbennig ei gerfluniau anferth o 'Bwrdeisiaid Calais'.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 127

Creu/Cynhyrchu

JOHN, Sir William Goscombe

1860-1952

Rôl: Artist

Cyfnod: 1902

Derbyniad

Gift, 1932

Mesuriadau

Uchder (cm): 61

Lled (cm): 25

Dyfnder (cm): 25

Uchder (in): 24

Lled (in): 9

Dyfnder (in): 9

Techneg

Bronze on wooden base

Techniques (sculpture)

Fine Art - sculpture

Deunydd

Bronze

Wood

Lleoliad

In store

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

SHORT, Sir Frank TURNER, Joseph Mallord William (after)

(1902)

Amgueddfa Cymru

Poet: MERCHANT, W. Moelwyn SUTHERLAND, Graham Vivian CLEAVE, Eric

(1970s-1980s)

© Moelwyn Merchant/Amgueddfa Cymru

Amgueddfa Cymru

TURNER, Joseph Mallord William

(1792-1793)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

TURNER, Joseph Mallord William

(1817)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>In the style of a primative female torso; long neck, crown uopon her head. The figure lies upon her back supporting herself on her elbows. Her right arm is raised & her hand behind her left breast, the other arm by her side. An arched opening around her abdomen containing stylised angels head. Further inner arch below. Marquette secured to a wooden base partially lined with green felt.</p>

UNDERWOOD, Leon

(1938)

© Ystâd Leon Underwood. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

DEACON, Richard

(2003)

© Richard Deacon/Amgueddfa Cymru

Amgueddfa Cymru

RODIN, Auguste

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

<p>This figure of a naked youth stands on his right leg, his face is contorted with pain as he holds his raised left leg, bent at the knee. The source of the pain, a small crab, lies next to his right foot. The Indian sculptor, Bose, achieved exceptional success during his short lifetime, although he first had to travel to Scotland where he also receive Welsh support. During the nineteenth century, Indian art students were mainly taught through indoctrinated academic western systems. After attending the Calcutta Art School, Bose left India aged sixteen to further his education. Having failed to secure a place at an Italian or London academy, he was eventually offered a place at the Board of Manufacturers School of Art in Edinburgh. Here, he won several awards including a travel scholarship that allowed him to visit Paris and meet Rodin. His outstanding talents were clearly recognised by his examiners, including the Welsh sculptor, William Goscombe John. John was a keen supporter of Bose and purchased from him, Boy in Pain and The Hunter (also in AC-NMW collection). In 1926, just as the continuing Indian campaign for independence was gaining momentum, Bose was elected to the Scottish Royal Academy. During his acceptance speech, Bose claimed his honour was “proof […] that the Scottish people had no intention of restricting the legitimate aspirations of the people of India.”</p>

BOSE, Fanindra Nat

(1913)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

YOUNG, William Weston

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

YOUNG, William Weston

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

WILSON, Richard (after) WHESSELL, John

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Vehicle, wood, the body formed from a bent length of a branch pierced at each end for an axle, to each of which are fitted four thick wooden wheels.</p>

Production: NASH, David

(1975)

© David Nash. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

WILLIAMS, Penry

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Dawnswraig wedi Gwisgo, astudiaeth

DEGAS, Edgar

(1878 ca)

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Amgueddfa Cymru

MORRIS, Cedric

(1921)

© Ystâd Cedric Morris. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

IRVIN, Albert

(1987)

© Ystâd Albert Irvin. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

BRANGWYN, Frank William

© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

PAJETTA, Guido

(1956)

© Guido Pajetta/Amgueddfa Cymru

Amgueddfa Cymru

BURNE-JONES, Sir Edward

(19th century)

Trwy ganiatâd Amgueddfa Cymru