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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
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Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

VAUGHAN, Henry (Publisher)
MAYNARD, R.A. (Publisher)
BRAY, H.W. (Publisher)
Gregynog Press (Publisher)
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A(L) 957

Historical Associations

Association Type: Provenance
Associated Person/Body: Davies, Gwendoline
Association Type: Private collector

Creu/Cynhyrchu

VAUGHAN, Henry
MAYNARD, R.A.
BRAY, H.W.
Gregynog Press
Rôl: Author
Rôl: Engraver
Rôl: Engraver
Rôl: Publisher
Cyfnod: 1924

Mesuriadau

Uchder (cm): 21
Lled (cm): 14.5

Techneg

Letter press printed book on paper
Printed book
Books
Fine Art - works on paper
Mwy

Tags


  • Celf Gain
  • Gweithiau Ar Bapur
  • Llyfrau

Rhannu


Mwy fel hyn


Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: MORGAN, Llew. E.
Amgueddfa Cymru
[No title]
IBBETSON, Julius Caesar
(1796)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
James Dickson Innes
JOHN, Augustus
(1912 ca)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1980)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
<p>Yn 2008 daeth Michal Iwanowski, yr artist a aned yng Ngwlad Pwyl ac yn byw yng Nghaerdydd, ar draws graffiti ger ei gartref yn dweud 'Go Home, Polish'. Ddeng mlynedd yn ddiweddarach, yng nghanol cefndir Brexit ac Ewrop ranedig, ymgymerodd â thaith anhygoel dros 1900km ar droed rhwng Cymru a'i bentref genedigol, Mokrzeszów yng Ngwlad Pwyl. Ei nod oedd archwilio a deall y syniad o 'gartref'. Cymerodd y daith 105 diwrnod i'w chwblhau, a thrwy hynny fe bostiodd ddyddiadur o'i brofiadau a'i gyfarfyddiadau ar Instagram.</p>
IWANOWSKI, Michal
(2018)
© Michal Iwanowski/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
GRIFFITH, Moses WILSON, W.C.
(1792)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: In Santiago there is a vast population of vagabond children who beg in the parks, sleep anywhere they can, forming an independant sort of tribe in the middle of the city with their own language, customs, etc. They work with older men who use them for begging, teaching them the routine and habits and crime which is their only future. The kids are shy of the poor houses, because they are badly treated and fed. Often people give them money and food. They gather in clans, often run by older boys who holda homosexual hold over them. On the whole the street is fun for them, and they prefer that to the safety of state institutions.</p>
Photographer: LARRAIN Sergio
(1955)
© Sergio Larrain / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
WILLIAMS, Kyffin
© Llyfrgell Genedlaethol Cymru / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
COLIN, Paul
(19th century)
© ADAGP, Paris a DACS, London 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
POYNTER, Sir Edward
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>This watercolour scene reveals both the natural beauty on the surface of the Parys Mountain in Anglesey, as well as its exposed underbelly – a source of raw wealth in the form of copper ore that was systematically mined from it. The workers in the image, busy excavating copper, as much a result of the landscape as the copper itself in many ways. It begs the question what could be more Welsh than the landscape of Wales, and what could this reveal about Black history. Perhaps it reveals a defining feature of it - how well it is hidden until you point it out. </p> <p>The copper mined here was shipped out, first to the ports at Swansea, and then sold around the world, even being used to sheath the hulls of Nelson’s naval ships. Beyond ships, which in themselves played a role in exercising colonial powers over others, copper was also used for the copper plates that were used to boil sugar, grown and harvested by enslaved Africans on plantations across the Caribbean islands, as well as various copper artefacts that were traded from enslaved Africans across West Africa.</p> <p>This work is included in the PITCH BLACK digital Black History tours of the National Museum Wales collections.</p>
SMITH, John "Warwick"
(1785)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PRENDERGAST, Peter
(2003)
© Ystad Peter Prendergast/DACS/Derek Williams Trust/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Paul, SANDBY,
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
ARNATT, Keith
(1974-1976)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
ARNATT, Keith
(1974-1976)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
ARNATT, Keith
(1974-1976)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
ARNATT, Keith
(1974-1976)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
ARNATT, Keith
(1974-1976)

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