[No title] | Gwaith Celf | Celf ar y Cyd

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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

Welsh Arts Council

PAYNE, R.W. (after)

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 23724

Creu/Cynhyrchu

Welsh Arts Council

PAYNE, R.W. (after)

Rôl: Publisher

Rôl: Artist

Cyfnod: 1967

Derbyniad

Gift, 17/10/1972

Mesuriadau

Uchder (cm): 29.7

Lled (cm): 21.1

h(cm) secondary support:40.7

h(cm)

w(cm) secondary support:21.1

w(cm)

Techneg

Offset lithograph

Lithograph

Planographic printing

Prints

Fine Art - works on paper

Deunydd

Ink

Paper

Lleoliad

In store - verified by J Carver

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

Photographer: HURN David

(2015)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: WYLIE Donovan

(Unknown)

© Donovan Wylie / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1984)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2002)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(1976)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

TURNER, Joseph Mallord William

(1796 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

HERMAN, Josef

© Ystâd Josef Herman/Amgueddfa Cymru

Amgueddfa Cymru

<p>Mae'r adeiladwaith haniaethol lliwgar hwn, a wnaed i ymdebygu i flociau chwarae plant, yn gynrychiolaeth o'r temlau Mesopotamiaidd hynafol o'r enw Ziggurat. Byddai’r Ziggurats yn cael eu creu fel preswylfa i'r duwiau a dim ond offeiriaid oedd yn cael mynd i mewn iddyn nhw. Roedd y ffurfiad grisiog yn darparu mynediad o'r byd hwn i'r byd ysbrydol. Mae defnydd Joe Tilson o ddotiau yn rhoi ymdeimlad o wead, ond maen nhw hefyd yn cyfeirio at dechneg celf Bop sy’n deillio o’r rhai a ddefnyddir mewn argraffiadau lliw. Mae'r llythrennau bras yn ychwanegu ymddangosiad tri dimensiwn i elfennau dau ddimensiwn y paentiad.</p>

TILSON, Joe

(1964)

© Joe Tilson. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

IBBETSON, Julius Caesar

(1794)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2015)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

HAGARTY, Parker

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

Photographer: HURN David

(2014)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

BOURNE, James

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

HARPER, Edward

(1848)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

LINDSAY, Thomas

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

VARLEY, John

Trwy ganiatâd Amgueddfa Cymru