[No title]

MORRIS, Cedric

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 29293

Creu/Cynhyrchu

MORRIS, Cedric

1889-1982

Rôl: Artist

Cyfnod: 1925

Derbyniad

Purchase - ass. of DWT, Knapping Fund, Silver Society (incl. Jean Thomas bequest), 20/12/2007

Mesuriadau

h(cm) frame:67

h(cm)

w(cm) frame:57

w(cm)

Dyfnder (cm): 3

Uchder (cm): 61

Lled (cm): 51

Techneg

Oil on canvas

Techniques (fine art)

Art dept - fine

Fine Art - painting

Lleoliad

In store

Mwy

Rhannu

Mwy fel hyn

Amgueddfa Cymru

[No title]

COHEN, Harold

(1983)

Amgueddfa Cymru

[No title]

COHEN, Harold

(1983)

Amgueddfa Cymru

[No title]

PIPER, John

Amgueddfa Cymru

[No title]

COHEN, Harold

Amgueddfa Cymru

[No title]

COHEN, Harold

(1983)

Amgueddfa Cymru

[No title]

BONINGTON, Richard Parkes

(19th century (early))

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

WHISTLER, James Abbot McNeill

Amgueddfa Cymru

[No title]

JOHN, Gwen

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

SUTHERLAND, Graham Vivian

(1945)

Amgueddfa Cymru

[No title]

HOWARD-JONES, Ray

(1974)

Amgueddfa Cymru

[No title]

STRANG, Ian

(1939)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

STRANG, Ian

(1938)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

I fyny bo'r nod

BAINES, Glyn

(2017)

Amgueddfa Cymru

[No title]

SUTHERLAND, Graham Vivian

Amgueddfa Cymru

[No title]

PRENDERGAST, Peter

(1967)

Amgueddfa Cymru

[No title]

SUTHERLAND, Graham Vivian

(1950 ca)

Amgueddfa Cymru

Information provided by the estate of Ronald Moody: 'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards. On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'

MOODY, Ronald Clive

(1937)

Amgueddfa Cymru

[No title]

WILSON, Richard HASTINGS, Thomas

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

GASTINEAU, Henry

(1829)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

[No title]

PARRY, John Orlando

Trwy ganiatâd Amgueddfa Cymru

Gosodiadau Cwcis

Angenrheidiol

Cwcis sy'n mesur defnydd y wefan

Cwcis sy'n helpu gyda chyfathrebu a marchnata

[No title]

Manylion

Collection

Rhif yr Eitem

Creu/Cynhyrchu

Derbyniad

Mesuriadau

Techneg

Lleoliad

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