Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis
Gosodiadau

Gosodiadau Cwcis

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

 

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

 

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

 
 
Gweld ein Polisi Cwcis
×

Image filter options
Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

REMBRANDT, Harmensz van Rijn
[No title]
Delwedd: Trwy ganiatâd Amgueddfa Cymru
 Chwyddo

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 11496

Creu/Cynhyrchu

REMBRANDT, Harmensz van Rijn
1606-1669
Rôl: Artist

Derbyniad

Purchase, 4/10/1958

Mesuriadau

h(cm) image size:21.1
h(cm)
w(cm) image size:16
w(cm)
h(cm) sheet size:21.8
h(cm)
w(cm) sheet size:16.6
w(cm)

Techneg

Etching, drypoint and burin on paper
Etching
Intaglio printing
Prints
Fine Art - works on paper

Deunydd

Ink
Ink
Paper

Lleoliad

In store
Mwy

Tags


  • Bwyd A Diod
  • Celf Gain
  • Gweithiau Ar Bapur
  • Iesu Grist
  • Printiau

Rhannu


Mwy fel hyn


Amgueddfa Cymru
<p>Single section pamphlet, 3 hole sewn with green thread 16 leaves p1 Study of birds (flamingos) p2 Study of birds p3 Study of animals (giraffes) p4 Study of animals p5 Study of animals (leopards) p6 Study of animals p7 Study of animals p8 Study of animals (bears, cats) p9 Study of animals (bear) p10 Study of animals p11 Study of cats p12 Study of animals (leopards) p13 Study of animals (dog, cats) p14 Study of animals (cats) p15 Study of animals (cats) p16 Sketch for Chester Deluge - plywood engraving</p>
JONES, David
(1926)
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HURN David
(1973)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
NICHOLSON, Monique
© Monique Nicholson/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: GOLDBERG Jim
(2015)
© Jim Goldberg / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
RICHARDS, Ceri
(1945)
© Ystâd Ceri Richards. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1980)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1979)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
EURICH, Richard
© Ystâd Richard Eurich. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
<p>This watercolour scene reveals both the natural beauty on the surface of the Parys Mountain in Anglesey, as well as its exposed underbelly – a source of raw wealth in the form of copper ore that was systematically mined from it. The workers in the image, busy excavating copper, as much a result of the landscape as the copper itself in many ways. It begs the question what could be more Welsh than the landscape of Wales, and what could this reveal about Black history. Perhaps it reveals a defining feature of it - how well it is hidden until you point it out. </p> <p>The copper mined here was shipped out, first to the ports at Swansea, and then sold around the world, even being used to sheath the hulls of Nelson’s naval ships. Beyond ships, which in themselves played a role in exercising colonial powers over others, copper was also used for the copper plates that were used to boil sugar, grown and harvested by enslaved Africans on plantations across the Caribbean islands, as well as various copper artefacts that were traded from enslaved Africans across West Africa.</p> <p>This work is included in the PITCH BLACK digital Black History tours of the National Museum Wales collections.</p>
SMITH, John "Warwick"
(1785)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: ARTHUR, Olivia
(2016)
© Olivia Arthur / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, Calvert 'Richard the Rev'
(1845 ca)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
COHEN, Harold
(1977)
© Harold Cohen/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
FEILER, Paul
(1973)
© Ystâd Paul Feiler. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
COHEN, Harold
(1977)
© Harold Cohen/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ORR, Christopher Orr, Christopher
(1968)
© Christopher Orr/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
COHEN, Harold
(1977)
© Harold Cohen/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
COHEN, Harold
(1977)
© Harold Cohen/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MATTEI, Luigi E
(1973)
© Luigi. E Mattei/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MATTEI, Luigi E
(1973)
© Luigi. E Mattei/Amgueddfa Cymru

  • Gweithiau Celf
  • Themâu
  • Projectau ac Arddangosfeydd
  • Erthyglau Cynfas
  • Dysgu

Y Wefan

  • Amdanom Ni
  • Mynediad
  • Cwestiynau cyffredin
  • Hawlfraint
  • Cwcis

CYSYLLTWCH Â Ni

  • Cysylltwch â ni
  • Instagram @celfarycyd
× ❮ ❯