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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
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Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

George, McCULLOCH
[No title]
Delwedd: Trwy ganiatâd Amgueddfa Cymru
 Chwyddo

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 12713

Creu/Cynhyrchu

George, McCULLOCH
George McCulloch owned the greatest single private collection of Victorian and Edwardian paintings ever formed. Made his fortune from sheep farming in Australia. At the posthumous sale of his work in 1913, many of his greatest acquisitions were bought by Lord Leverhulme, which led to the foundation of tyhe Lady Lever Gallery, Port Sunlight. Examples of his collection are Millais's 'Sir Isumbras at the Ford', Leighton's 'Daphnephoria'; and the John Singer Sargent's 'On his holidays, Norway' in the LLG was modelled by Alex McCulloch, George McCulloch's son.
Rôl: Artist

Derbyniad

Bequest, 5/5/1919

Mesuriadau

Uchder (cm): 26.1
Lled (cm): 20

Techneg

Conté crayon on paper
Drawings and watercolours
Fine Art - works on paper

Deunydd

Conté crayon
Paper

Lleoliad

In store
Mwy

Tags

  • Celf Gain
  • Darlun
  • Ffurf Gwrywaidd
  • Gweithiau Ar Bapur

Rhannu

Mwy fel hyn

Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
<p>landscape</p>
KOPPEL, Heinz
(20th century - (second half))
© Heinz Koppel/Amgueddfa Cymru
Amgueddfa Cymru
<p>Information provided by the estate of Ronald Moody:</p> <p>'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. </p> <p>On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards.</p> <p>On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'</p>
MOODY, Ronald Clive
(1937)
© The Ronald Moody Trust/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
REDDICK, Peter
(1983)
© Peter Reddick/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ABBE, Salomon van
(1914)
© Salomon van Abbe/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
RIBOT, Augustin-Theodule
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
STUBBS, Annena
(1980)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
TANNER, Robin
(1978)
Amgueddfa Cymru
[No title]
EDRIDGE, Henry
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Man with flowing hair</p>
SUTHERLAND, Graham Vivian
(1978-1979)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PALMER, Samuel
(1857)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
SHORT, Sir Frank TURNER, Joseph Mallord William (after)
(1895 ca)
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1952)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
(1930s)
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HARVEY, David Alan
(1988)
© David Alan Harvey / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ISTVAN, SZONYI
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MAYNARD, R.A. BRAY, H.W.
(1925)
© R.A. Maynard/Amgueddfa Cymru

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