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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Nôl Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

George, McCULLOCH
[No title]
Delwedd: Trwy ganiatâd Amgueddfa Cymru
 Chwyddo

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 12713

Creu/Cynhyrchu

George, McCULLOCH
George McCulloch owned the greatest single private collection of Victorian and Edwardian paintings ever formed. Made his fortune from sheep farming in Australia. At the posthumous sale of his work in 1913, many of his greatest acquisitions were bought by Lord Leverhulme, which led to the foundation of tyhe Lady Lever Gallery, Port Sunlight. Examples of his collection are Millais's 'Sir Isumbras at the Ford', Leighton's 'Daphnephoria'; and the John Singer Sargent's 'On his holidays, Norway' in the LLG was modelled by Alex McCulloch, George McCulloch's son.
Rôl: Artist

Derbyniad

Bequest, 5/5/1919

Mesuriadau

Uchder (cm): 26.1
Lled (cm): 20

Techneg

Conté crayon on paper
Drawings and watercolours
Fine Art - works on paper

Deunydd

Conté crayon
Paper

Lleoliad

In store
Mwy

Tags

  • Celf Gain
  • Darlun
  • Ffurf Gwrywaidd
  • Gweithiau Ar Bapur

Rhannu

Mwy fel hyn

Amgueddfa Cymru
[No title]
ROUSSEAU, Theodore
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
MURRAY, William Grant
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Compositional sketch made at Solva</p>
SUTHERLAND, Graham Vivian
(1935)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1968)
© Ystâd Graham Sutherland/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: HURN David
(1962)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
DEACON, H
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
WHITE, Ethelbert
Amgueddfa Cymru
[No title]
INCE, Joseph Murray
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
INCE, Joseph Murray
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
COPLEY FIELDING, Anthony Vandyke
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>O'r gyfres: Loteria Fotografica Mexicana</p>
Photographer: HARTLEY Jill
(1991)
© Jill Hartley/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
DAVIES, Margaret Sidney
Amgueddfa Cymru
[No title]
RICHARDS, Fred
© Fred Richards/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Ralph, MAYNARD SMITH
(1946)
© Ralph Maynard Smith/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
GASTINEAU, Henry
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>
Photographer: HURN David
(1965)
© David Hurn / Magnum Photos / Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HUGHES, Hugh
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
Photographer: CARLIN, Jocelyn
(2007)
© Jocelyn Carlin/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
CRAXTON, John
© Ystâd John Craxton. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

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