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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Gwaith Celf Blaenorol Gwaith Celf Nesaf

[No title]

SMITH, John "Warwick"
[No title]
Delwedd: Trwy ganiatâd Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (3)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 16808

Historical Associations

Association Type: Provenance
Associated Person/Body: Greville, George, second Earl of Warwick
Association Type: Private collector
Associated Person/Body: Greville, The Hon. Robert Fulke
Association Type: Private collector
Associated Person/Body: Cathcart, Lady Georgiana
Association Type: Descendant
Associated Person/Body: Finch-Hatton, Lady Louisa
Association Type: Descendant
Associated Person/Body: Sotheby's (London)
Association Type: Auction House
Date: 17-19/07/1939
Associated Person/Body: Maggs Brothers Ltd
Association Type: Dealer
Date: 17-19/07/1939

Creu/Cynhyrchu

SMITH, John "Warwick"
'Italian' Smith
Rôl: Artist

Derbyniad

Purchase, 21/7/1939

Mesuriadau

Uchder (cm): 16.1
Lled (cm): 24.7
h(cm) secondary support:30.4
h(cm)
w(cm) secondary support:40.8
w(cm)

Techneg

Watercolour and pencil on paper

Deunydd

Watercolour
Pencil
Paper

Lleoliad

In conservation
Mwy

Tags

  • Celf Gain
  • Dyfrlliw
  • Gweithiau Ar Bapur

Rhannu

Mwy fel hyn

Amgueddfa Cymru
[No title]
ROUAULT, Georges lL'Éoile Filante, Paris Aulard, Paris
(1922)
© ADAGP, Paris a DACS, London 224/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ROUAULT, Georges lL'Éoile Filante, Paris Aulard, Paris
(1922)
© ADAGP, Paris a DACS, London 224/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
IBBETSON, Julius Caesar
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
AMES, Jeremiah
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JONES, David
(1937)
© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
BRANGWYN, Frank William
© Ystâd Sir Frank William Brangwyn. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
GWYNNE-JONES, Allan
Amgueddfa Cymru
[No title]
GLYDE, J.
(1820)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
[No title]
AYRTON, Michael
(1942)
© Ystâd Michael Ayrton
Amgueddfa Cymru
[No title]
BARKER of Bath, Thomas
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Standing man and lying man
GRANT, Duncan
© Ystâd Duncan Grant. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PHILLIPS, Tom
© Tom Phillips. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PHILLIPS, Tom
© Tom Phillips. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
<p>Peter Finnemore - Statement of work</p> <p>This new work grew out of the Lesson 56 project, which explored hegemonic imperial narratives of Welsh history and culture through the schoolbooks of my Grandmother. Through documentation, collage and juxtaposition it mirrors an engrained narrative about how a nation gets a sense of itself through story. Education and language becomes a tool of perceptual / intellectual control.</p> <p>Like history itself, this project itself is not static or complete. In recognition of this, the Lesson 56 project continues to evolve into other artworks and new forms. This new artwork is worked from my archive of images and objects that refer to Welsh history and culture and the notion of the past overlaying a complex pattern of the past upon the present.</p> <p>This raw laser print and wash image of the castle, is a still taken from the film the Silent Village (Humphrey Jennings 1944) and is a depiction of Castell Carreg Cennen / Carreg Cennen Castle. Which in the film is fictionalized as a site of national resistance during WW2. This draws upon the rich history of the castle as a contested stronghold of overlapping resistance and occupation. Interestingly in the film the schoolteacher Miss Daniels, recites from the Lesson 56 chapter to her classroom as a means of instilling historical memory and patriotism against oncoming fascism. </p> <p>The physical ruler with its historical information of dates and the ongoing of history, becomes entangled in a double meaning word-play of ruler, meaning monarch / Head of State. The physical object of the ruler, is a tool for drawing straight lines. In relation to this, the texts on the ruler implies a logical and systematic rational. However, history itself, is not consistent and does not travel in a straight lines. This artwork is not only about the visualization of generational memory, deep history and its possible reinvention, it is equally a discussion with the language and materiality of art.</p>
FINNEMORE, Peter
(2019)
© Peter Finnemore/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PHILLIPS, Tom
© Tom Phillips. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PHILLIPS, Tom
© Tom Phillips. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PHILLIPS, Tom
© Tom Phillips. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
PHILLIPS, Tom
© Tom Phillips. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
HOWARD-JONES, Ray
© Nicola Howard-Jones/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
SUTHERLAND, Graham Vivian
(1949)
© Ystâd Graham Sutherland/Amgueddfa Cymru

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