Mae’r wefan hon yn defnyddio cwcis i hwyluso’ch defnydd. Gweld ein Polisi Cwcis
Gosodiadau

Gosodiadau Cwcis

Angenrheidiol

Mae'r cwcis hyn yn gwbl angenrheidiol ar gyfer weithrediad y wefan.

 

Cwcis sy'n mesur defnydd y wefan

Rydym yn defnyddio Google Analytics i fesur sut ydych yn defnyddio'r wefan er mwyn i ni ei wella yn seiliedig ar angen defnyddwyr.

 

Cwcis sy'n helpu gyda chyfathrebu a marchnata

Gall y cwcis hyn gael eu gosod gan wefannau trydydd parti a gwneud pethau fel mesur sut rydych yn gwylio fideos YouTube.

 
 
Gweld ein Polisi Cwcis
×

Image filter options
Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
Gweithiau Celf Themâu
Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu
Amdanom Ni Cysylltwch â ni
En
Gweithiau Celf Themâu Projectau ac Arddangosfeydd Erthyglau Cynfas Dysgu Amdanom Ni Cysylltwch â ni
Nôl

Figure, soft-paste porcelain, clear glaze, humanoid/anthropomorphic form, standing non four squat legs, the body composed of an amorphous, billowing, flowing mass, the face with pierced eyes and wearing a hat or headdress of a similarly billowing form to the body construction; decorated with pierced lines that follow and highlight the contours of the body, hair and headdress.

Woodrow, Sophie (Potter)
<p>Figure, soft-paste porcelain, clear glaze, humanoid/anthropomorphic form, standing non four squat legs, the body composed of an amorphous, billowing, flowing mass, the face with pierced eyes and wearing a hat or headdress of a similarly billowing form to the body construction; decorated with pierced lines that follow and highlight the contours of the body, hair and headdress.</p>
Delwedd: © Sophie Woodrow/Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (4)

Figure, soft-paste porcelain, clear glaze, humanoid/anthropomorphic form, standing non four squat legs, the body composed of an amorphous, billowing, flowing mass, the face with pierced eyes and wearing a hat or headdress of a similarly billowing form to the body construction; decorated with pierced lines that follow and highlight the contours of the body, hair and headdress.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 39543

Creu/Cynhyrchu

Woodrow, Sophie
Trained at Falmouth School of Art, graduating with a BA Studio Ceramics in 2011.
Rôl: Production
Rôl: Potter
Lle: Bristol, England
Cyfnod: 2014

Derbyniad

Purchase - ass. of DWT, 11/4/2014

Mesuriadau

Uchder (cm): 28.5
Uchder (in): 11
Lled (cm): 10.9
Lled (in): 4
Dyfnder (cm): 10
Dyfnder (in): 3

Techneg

Hand-built
Forming
Applied Art
Hand formed
Forming
Applied Art
Pierced
Decoration
Applied Art
Incised
Decoration
Applied Art
Assembled
Forming
Applied Art
Glazed
Decoration
Applied Art

Deunydd

Soft-paste porcelain

Lleoliad

on display

Caiff Casgliadau Arlein ei ddiweddaru yn rheolaidd, ond gwnewch yn si’r bod eitem yn dal i gael ei arddangos cyn ymweld yn arbennig.

Mwy

Tags


  • Artistiaid Y 21Ain Ganrif
  • Celf Gymhwysol
  • Cerameg
  • Cerameg Stiwdio
  • Person

Rhannu


Mwy fel hyn


Amgueddfa Cymru
<p>Figure, zoomorphic, soft-paste porcelain with clear glaze, antelope's head with simple, elongated and rounded body and fout squat feet; draped at the shoulders with two garlands of overlapping leaves, attached over the shoulders and behind the neck with a rope or tie, the eyes are pierced.</p>
Production: Woodrow, Sophie
(2014)
© Sophie Woodrow/Amgueddfa Cymru
Amgueddfa Cymru
<p>Figure, humanoid/anthropomorphic female form, white soft-paste porcelain with a clear glaze, some areas unglazed, hand-modelled and standing on four squat legs, undulating lower body rising to sloping shoulders, the form is overall of a undulating conical shape, simple stylised face with pierced eyes, the arms resting by the sides of the breats and over the stomach with hands overlapping; the figure has applied grog/encrustations applied to the hairline and top of the head, flowing down the body in broad, undulating stripes, unglazed, hand-modelled flowers of varying sizes applied over the body.</p>
Production: Woodrow, Sophie
(2013)
© Sophie Woodrow/Amgueddfa Cymru
Amgueddfa Cymru
<p>Figure, zoomorphic, soft-paste porcelain with clear glaze, the head of a fox, the body formed of a series of assymetrically placed, pointed protrusions, perhaps resembling the form of the tip of a fox's tail, standing on four slender legs; lightly incised over the body and head to give the impression of fur, the eyes pierced.</p>
Production: Woodrow, Sophie
(2014)
© Sophie Woodrow/Amgueddfa Cymru
Amgueddfa Cymru
<p>Figure, zoomorphic, soft-paste porcelain with clear glaze, the head in the form of an owl, the body simple and oval in form, standing on four squat feet; applied stylised feather forms to the shoulders and around the body, the entire body is pierced with small circular piercings in an asymmetric manner, the head and neck has applied overlapping scale-like feathers, the eyes are pierced.</p>
Production: Woodrow, Sophie
(2014)
© Sophie Woodrow/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Large lidded jar, reduced etruria marl, unglazed, narrow circular base with straight tapering sides giving an overall conical form, four horizontal 'ribs' evenly spaced around the body with deliberately rough finish, resulting in small protrusions or 'scrapings' of fired clay around each rib, the cover is flat with three circular 'ribs' and a flange to the interior; the surface finished with linseed oil.</p>
Production: Stair, Julian
(2008)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Pot
Production: Saba, Suleyman
(2005-2010)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Upright cage-like structure formed of rods, stoneware with pitted white lithium glaze, open at the top, divided internally into three sections, one larger section in the middle, two smaller ones at each end.</p>
Production: Turner, Annie
(2006)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Lithophane
Philip, Eglin
(2010)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Floating cinerary jar with cover in orange-brown Etruria marl with visible inclusions, unglazed, the ground formed of a wooden base and back covered with buff-coloured Venetian plaster, the jar with a flat base and oval cross-section, tapering sides and flat shoulders with circular inset cover, the body has two evenly spaced, concentric, horizontal 'ribs' around its circumference, these have been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>
Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes
(2011)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Floating cinerary jar with cover in dark grey Petersen Tegl stoneware body with large grit inclusions, the ground formed of a wooden base and back covered with light grey Venetian plaster, the jar with a flat unglazed base and circular cross-section, tapering sides and flat shoulders with circular inset cover, the body has a single concentric, horizontal 'rib' around its circumference appproximately half way up the body, which has been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>
Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes
(2011)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Floating cinerary jar with cover in white, glazed porcelain, the ground formed of a wooden base and back covered with very dark grey Venetian plaster, the jar with a flat unglazed base and broadly triangular cross-section, tapering sides and flat shoulders with circular inset cover, the body has two evenly spaced, concentric, horizontal 'ribs' around its circumference, these have been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>
Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes
(2011)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bottles
Production: Greenwood, Diana
(1996)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>A group of 222 small pots, porcelain, each pot cylindrical with a turned base, impressed on the side with grouped or individual rectangular marks, and glazed with one of a palette of 17 different white glazes, the whole designed to be displayed on a vertical series of shelves.</p>
Production: de Waal, Edmund
(2005)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Bowl form, raku-fired earthenware, dark grey body, triangular base rising to rounded globular body pushed in at the sides below the peaks of the wavy rim.</p>
Potter: Hanna, Ashraf
(2016-2017)
Amgueddfa Cymru
Vase
Production: Davies, Lowri
(2011)
© Lowri Davies/Amgueddfa Cymru
Amgueddfa Cymru
Jug
Production: Clive, Bowen
(1999)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Sarcophagus
Production: Stair, Julian
(2004)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Yasuda, Takeshi
(1999)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Bowl
Production: Keeler, Walter
(1980 ca)
Amgueddfa Cymru
[No title]
HOUSE, Gordon
© Gordon House/Amgueddfa Cymru

  • Gweithiau Celf
  • Themâu
  • Projectau ac Arddangosfeydd
  • Erthyglau Cynfas
  • Dysgu

Y Wefan

  • Amdanom Ni
  • Mynediad
  • Cwestiynau cyffredin
  • Hawlfraint
  • Cwcis

CYSYLLTWCH Â Ni

  • Cysylltwch â ni
  • Instagram @celfarycyd
× ❮ ❯