Figure, zoomorphic, soft-paste porcelain with clear glaze, the head in the form of an owl, the body simple and oval in form, standing on four squat feet; applied stylised feather forms to the shoulders and around the body, the entire body is pierced with small circular piercings in an asymmetric manner, the head and neck has applied overlapping scale-like feathers, the eyes are pierced. | Gwaith Celf | Celf ar y Cyd

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Derbyn

Nôl

Figure, zoomorphic, soft-paste porcelain with clear glaze, the head in the form of an owl, the body simple and oval in form, standing on four squat feet; applied stylised feather forms to the shoulders and around the body, the entire body is pierced with small circular piercings in an asymmetric manner, the head and neck has applied overlapping scale-like feathers, the eyes are pierced.

Woodrow, Sophie (Potter)

Figure, zoomorphic, soft-paste porcelain with clear glaze, the head in the form of an owl, the body simple and oval in form, standing on four squat feet; applied stylised feather forms to the shoulders and around the body, the entire body is pierced with small circular piercings in an asymmetric manner, the head and neck has applied overlapping scale-like feathers, the eyes are pierced.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 39546

Creu/Cynhyrchu

Woodrow, Sophie

Trained at Falmouth School of Art, graduating with a BA Studio Ceramics in 2011.

Rôl: Production

Rôl: Potter

Lle: Bristol, England

Cyfnod: 2014

Derbyniad

Purchase - ass. of DWT, 11/4/2014

Mesuriadau

Uchder (cm): 17.3

Uchder (in): 6

Lled (cm): 7.7

Lled (in): 3

Dyfnder (cm): 6.9

Dyfnder (in): 2

Techneg

Hand-built

Forming

Applied Art

Modelled

Forming

Applied Art

Applied

Decoration

Applied Art

Pierced

Decoration

Applied Art

Glazed

Decoration

Applied Art

Deunydd

Soft-paste porcelain

Lleoliad

on display

Caiff Casgliadau Arlein ei ddiweddaru yn rheolaidd, ond gwnewch yn si’r bod eitem yn dal i gael ei arddangos cyn ymweld yn arbennig.

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

<p>Figure, zoomorphic, soft-paste porcelain with clear glaze, the head of a fox, the body formed of a series of assymetrically placed, pointed protrusions, perhaps resembling the form of the tip of a fox's tail, standing on four slender legs; lightly incised over the body and head to give the impression of fur, the eyes pierced.</p>

Production: Woodrow, Sophie

(2014)

© Sophie Woodrow/Amgueddfa Cymru

Amgueddfa Cymru

<p>Figure, soft-paste porcelain, clear glaze, humanoid/anthropomorphic form, standing non four squat legs, the body composed of an amorphous, billowing, flowing mass, the face with pierced eyes and wearing a hat or headdress of a similarly billowing form to the body construction; decorated with pierced lines that follow and highlight the contours of the body, hair and headdress.</p>

Production: Woodrow, Sophie

(2014)

© Sophie Woodrow/Amgueddfa Cymru

Amgueddfa Cymru

<p>Figure, zoomorphic, soft-paste porcelain with clear glaze, antelope's head with simple, elongated and rounded body and fout squat feet; draped at the shoulders with two garlands of overlapping leaves, attached over the shoulders and behind the neck with a rope or tie, the eyes are pierced.</p>

Production: Woodrow, Sophie

(2014)

© Sophie Woodrow/Amgueddfa Cymru

Amgueddfa Cymru

<p>Figure, humanoid/anthropomorphic female form, white soft-paste porcelain with a clear glaze, some areas unglazed, hand-modelled and standing on four squat legs, undulating lower body rising to sloping shoulders, the form is overall of a undulating conical shape, simple stylised face with pierced eyes, the arms resting by the sides of the breats and over the stomach with hands overlapping; the figure has applied grog/encrustations applied to the hairline and top of the head, flowing down the body in broad, undulating stripes, unglazed, hand-modelled flowers of varying sizes applied over the body.</p>

Production: Woodrow, Sophie

(2013)

© Sophie Woodrow/Amgueddfa Cymru

Amgueddfa Cymru

TUNNICLIFFE, Charles F

(20th century)

© Charles F Tunnicliffe/Amgueddfa Cymru

Amgueddfa Cymru

SUTHERLAND, Graham Vivian

(1968)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>A group of 222 small pots, porcelain, each pot cylindrical with a turned base, impressed on the side with grouped or individual rectangular marks, and glazed with one of a palette of 17 different white glazes, the whole designed to be displayed on a vertical series of shelves.</p>

Production: de Waal, Edmund

(2005)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Flynn, Michael

(1996)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Large lidded jar, reduced etruria marl, unglazed, narrow circular base with straight tapering sides giving an overall conical form, four horizontal 'ribs' evenly spaced around the body with deliberately rough finish, resulting in small protrusions or 'scrapings' of fired clay around each rib, the cover is flat with three circular 'ribs' and a flange to the interior; the surface finished with linseed oil.</p>

Production: Stair, Julian

(2008)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Pot

Production: Saba, Suleyman

(2005-2010)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Bowl, stoneware painted with white and coloured slips, flattened elliptical shape with flat base, the sides rising to a slightly everted rim, the rim higher at the back and shaped to give the illusion of a fully rounded bowl; the whole of the exterior except the base overlaid with a speckled white slip, a band round the rim and the top edge painted in coloured slips (white, dark green, pale greeny-blue, pale blue, rusty brown breaking to orange/ochre, buff) in angled strips to give the effect of fractured faultlines.</p>

Production: Fritsch, Elizabeth

(1974)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Upright cage-like structure formed of rods, stoneware with pitted white lithium glaze, open at the top, divided internally into three sections, one larger section in the middle, two smaller ones at each end.</p>

Production: Turner, Annie

(2006)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Production: Binns, David

(1997)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Jar

Production: Buick, Adam

(2010)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Vase form, unglazed porcelain, upright hexagonal form, the sides formed of panels with alternating convex and concave profiles, corrugated surface throughout.</p>

Maker: Keith, Varney

(2014)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Philip, Eglin

(2010)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Teapot and three bowls

Production: Stair, Julian

(2003)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Floating cinerary jar with cover in orange-brown Etruria marl with visible inclusions, unglazed, the ground formed of a wooden base and back covered with buff-coloured Venetian plaster, the jar with a flat base and oval cross-section, tapering sides and flat shoulders with circular inset cover, the body has two evenly spaced, concentric, horizontal 'ribs' around its circumference, these have been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>

Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes

(2011)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

<p>Floating cinerary jar with cover in dark grey Petersen Tegl stoneware body with large grit inclusions, the ground formed of a wooden base and back covered with light grey Venetian plaster, the jar with a flat unglazed base and circular cross-section, tapering sides and flat shoulders with circular inset cover, the body has a single concentric, horizontal 'rib' around its circumference appproximately half way up the body, which has been left in a relatively unfinished state in some areas and small scrpaings of clay are visible, the plaster base is constructed in wood with a layer of Venetian plaster on the visible faces and has a flat platform and perpendicular back.</p>

Production: Stair, Julian Ashok Specialists Venetian Plaster Finishes

(2011)

Amgueddfa Cymru

Pot

Production: Ward, John

(1997)

© John Ward/Amgueddfa Cymru