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[No title]

LLOYD, Chris (Printmaker)

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 29784

Creu/Cynhyrchu

Chris Lloyd studied painting at the University of Newcastle upon Tyne, and later MA Fine Art in Cardiff. Having helped to establish the artist/printmaker/publishers virtually-6, he takes an active role in the Cardiff School of Art and Design printmaking research group.

Rôl: Artist

Rôl: Printmaker

Lle: Cardiff

Cyfnod: 2009

Derbyniad

Gift, 16/6/2011

Mesuriadau

h(cm) sheet size:53.4

h(cm)

w(cm) sheet size:38.1

w(cm)

h(cm) image size:30.6

h(cm)

w(cm) image size:25.2

w(cm)

Techneg

Inkjet print

Deunydd

Paper

Ink

Lleoliad

In store - verified by CT

Mwy

Tags

Rhannu

Mwy fel hyn

Amgueddfa Cymru

BRITISH SCHOOL, 20th Century

© unknown/Amgueddfa Cymru - Museum Wales

Amgueddfa Cymru

MITCHELL, Bernard

(2000)

©Bernard Mitchell/Amgueddfa Cymru

Amgueddfa Cymru

WADSWORTH, Edward Morland Press Limited Herbert Furst, Little Art Rooms, London

(1921 ca)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

RICHARDS, Ceri

© Ystâd Ceri Richards. Cedwir Pob Hawl. DACS 2025/Amgueddfa Cymru

Amgueddfa Cymru

BRITISH SCHOOL, 20th Century

© unknown/Amgueddfa Cymru - Museum Wales

Amgueddfa Cymru

WILSON, Richard WHESSELL, John

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Paul, SANDBY,

(1775)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Paul, SANDBY,

(1776)

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

BEATON, Cecil

Amgueddfa Cymru

JONES, David

(1924)

© Ystâd David Jones. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: Felix H., Man

(1971)

Amgueddfa Cymru

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Sir William Goscombe

Trwy ganiatâd Amgueddfa Cymru

Amgueddfa Cymru

<p>Table of Contents for 'A Bestuary' (Portfolio of 25 colour lithographs)</p>

SUTHERLAND, Graham Vivian

(1965-1968)

© Ystâd Graham Sutherland/Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(1965)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

<p>Full title: Jean Straker, Photographer. Jean Straker was born in London in 1913. During the Second World War, Straker, a conscientious objector, worked as a photographer. Jean soon discovered how great the need was for detailed, speedy medical photography, particularly of surgical procedures. There were numerous emergency operations performed during the air raid years and operating techniques were changing and developing rapidly. Photographs, particularly those in sequence, were of the utmost value, as records and in the teaching hospitals as teaching aids. Abandoning commercial photography in 1951 Jean set up The "Academy of Visual Arts". Members had access to exhibitions resulting from its program of lecture-demonstrations. In 1951, he opened the Visual Arts Club at Studio House, 12 Soho Square, for "artists and photographers, amateur and professional, studying the female nude". Six years in 1961, officers from Scotland Yard, acting on a tip of from the Italian Police, visited Straker. In 1961, police raided Studio House and took a number of prints and negatives that they considered obscene. Straker stood trial in 1962, he defended himself and despite arguing that his photographs were "of artistic value", he lost the case and forfeited all the prints and negatives that were confiscated. But on appeal to The House of Lords this conviction was squashed. This case lead to changes in the Censorship Laws in 1965.</p>

Photographer: HURN David

(2016)

© David Hurn / Magnum Photos / Amgueddfa Cymru

Amgueddfa Cymru

JOHN, Edwin

(1956)

© Ystâd Augustus John. Cedwir Pob Hawl 225/Bridgeman Images/Amgueddfa Cymru

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: John, Walmsley

(1977)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: John, Walmsley

(1977)

Amgueddfa Cymru

Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.

Photographer: John, Walmsley

(1977)