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Mae’r wefan hon yn newydd a dal yn cael ei datblygu.
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Label from '[un]seen [un]heard]' display intervention 2020: "This bust is a portrait of Paul Robeson an African American athlete, performing artist and activist created by Jamaican-born fellow Black artist Ronald Moody. During his time spent in Britain, Robeson developed a deep bond with the labour movement and was particularly supportive of the miners of Wales."

This portrait was commissiond by the DDR Akademie der Kunst, Berlin, but political mayhem forced them to renege. Despite this and Robeson's unpredictability as a sitter, it was ready in time for the SPS 'Human Rights' exhibition.

This dramatic head was the last of five portraits in this medium, which are essays in the juxtaposition of textural effects and patins. In each, the skin has the nubbly surface, developed during the artist's experimentation with concrete, but in these works it is more varied and much finer and contrasts subtly with other textures he achieves. Here honeycomb texture of the hair compliments the heavier texture of the skin, infusing the whole with immense tactility.

MOODY, Ronald Clive
<p>Label from '[un]seen [un]heard]' display intervention 2020:
"This bust is a portrait of Paul Robeson an African American athlete, performing artist and activist created by Jamaican-born fellow Black artist Ronald Moody. During his time spent in Britain, Robeson developed a deep bond with the labour movement and was particularly supportive of the miners of Wales." </p>

<p>This portrait was commissiond by the DDR Akademie der Kunst, Berlin, but political mayhem forced them to renege. Despite this and Robeson's unpredictability as a sitter, it was ready in time for the SPS 'Human Rights' exhibition.</p>

<p>This dramatic head was the last of five portraits in this medium, which are essays in the juxtaposition of textural effects and patins. In each, the skin has the nubbly surface, developed during the artist's experimentation with concrete, but in these works it is more varied and much finer and contrasts subtly with other textures he achieves. Here honeycomb texture of the hair compliments the heavier texture of the skin, infusing the whole with immense tactility.</p>
Delwedd: © The Ronald Moody Trust/Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (12)

Label from '[un]seen [un]heard]' display intervention 2020: "This bust is a portrait of Paul Robeson an African American athlete, performing artist and activist created by Jamaican-born fellow Black artist Ronald Moody. During his time spent in Britain, Robeson developed a deep bond with the labour movement and was particularly supportive of the miners of Wales."

This portrait was commissiond by the DDR Akademie der Kunst, Berlin, but political mayhem forced them to renege. Despite this and Robeson's unpredictability as a sitter, it was ready in time for the SPS 'Human Rights' exhibition.

This dramatic head was the last of five portraits in this medium, which are essays in the juxtaposition of textural effects and patins. In each, the skin has the nubbly surface, developed during the artist's experimentation with concrete, but in these works it is more varied and much finer and contrasts subtly with other textures he achieves. Here honeycomb texture of the hair compliments the heavier texture of the skin, infusing the whole with immense tactility.


Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion


Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 26343

Historical Associations

Associated Person/Body: Moody, Cynthia
Association Type: Provenance
Date: 1984
Associated Person/Body: Moody, Cynthia
Association Type: Owner
Date: 1984
Place: London, England
Associated Person/Body: National Museum and Gallery, Cardiff
Association Type: Museum
Date: 2004
Place: Cardiff

Creu/Cynhyrchu

MOODY, Ronald Clive
Rôl: Artist
Cyfnod: 1968

Derbyniad

Gift, 26/3/2004

Mesuriadau

Uchder (cm): 38.7
Lled (cm): 22.8
Dyfnder (cm): 29
h(cm) overall:48.5
h(cm)
w(cm) overall:25.2
w(cm)
Dyfnder (in): 34

Techneg

Cast
Forming
Applied Art

Deunydd

Copper
Resin

Lleoliad

on display

Caiff Casgliadau Arlein ei ddiweddaru yn rheolaidd, ond gwnewch yn si’r bod eitem yn dal i gael ei arddangos cyn ymweld yn arbennig.

Mwy

Tags


  • Canwr
  • Celf Gain
  • Cerflun
  • Dyn
  • Gweithredu, Protestio
  • Hanes Cymru
  • Hanes Pobl Ddu
  • Hunaniaeth Pobl Ddu
  • Portread Wedi'i Enwi
  • Ôl 1945

Rhannu


Mwy fel hyn


Amgueddfa Cymru
<p>Information provided by the estate of Moody: 'The artist's first self-portrait in bronze so displeased him, that he destroyed it. This second version pleased him no better. By the time he finished it in June 1937, he was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version in elm and, within a month, produced Self-Portrait 3. For the next nine years, all his portraits were in wood.</p> <p>When Marie Seton went to live in America, she put this mask into storage, together with several other works the artist had left in her care. Although it is mentioned in her letter of 27.10.42 to Cox &amp; King's, authorising Helene Moody to collect them, it remained with Marie Seton until her death in 1985 and was restored to the artist's collection by her executor Pamela Cullen in 1989.'</p>
MOODY, Ronald Clive
(1937)
© The Ronald Moody Trust/Amgueddfa Cymru
Amgueddfa Cymru
<p>Information provided by the estate of Ronald Moody:</p> <p>'By the time he finished Self-Portrait 2 in June 1937, the artist was utterly dedicated to wood and had virtually abandoned bronze. He therefore decided to try another version and, within a month, produced this mask in elm. The difference between the two versions is remarkable, even though they are almost identical in concept. The earlier, though life-size, gives the impression of being much smaller, and the smooth stylisation of the material seems to add impassivity and sombreness to the whole. The second is more expansive, both in size and feeling, and the grain of the wood subtly underlines the contour of the face, giving it animation and character. Greatly encouraged by this, Moody eagerly turned to wood for future portraits and for the next nine years used nothing else. </p> <p>On 4.1.39, it was shipped from Paris to the Harmon Foundation in New York, for inclusion in exhibitions in America, where it was shownas A Mask. It remained in the Foundation's custody throughout the war and for some time afterwards.</p> <p>On 2.3.49, the artist wrote to Marie Seton listing the works he wished her to bring back to England. Amongst these was: "Another mask, wood, based on my head (about life size)".'</p>
MOODY, Ronald Clive
(1937)
© The Ronald Moody Trust/Amgueddfa Cymru
Amgueddfa Cymru
<p>Penddelw prin yw hwn gan y cerflunydd o Gymru William Goscombe John. Roedd Bokani yn un o chwe pygmi o'r Congo a gludwyd i Ewrop ym 1905. Roedd y grŵp yn destun chwilfrydedd mawr pan gawsant eu dangos i'r cyhoedd mewn neuaddau gorlawn mewn trefi a dinasoedd ledeld y DU, gan gynnwys Cymru. Er eu bod yn ymddangos yn bennaf mewn newuaddau cyngerdd, cawsant eu dangos hefyd ym Mhalas Buckingham, a hyd yn oed mewn sŵ. Mae penddelw Bokani a gweithiau eraill wedi bod yn rhan o ymyriad gan broject Treftadaeth Ifanc Tynnu'r Llwch. Wedi cyfres o weithdai, roedd y cyfrannwyr yn teimlo bod y bobl yn y gweithiau yma, fel Bokani, yn cael eu gweld fel gwrthrychau oedd yn yn cael sylw oherwydd eu cyswllt â'r Ymerodraeth, trefedigaethu neu William Goscombe John yn unig. Roedden nhw am amlygur unigolion yn y gweithiau drwy eu straeon a'i profiadau.</p>
JOHN, Sir William Goscombe
(1905)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
SHEPHERD, Luke
(2011)
Amgueddfa Cymru
Head
ROBERTS-JONES, Ivor
(20th century - (second half))
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Augustus
© Ystâd Augustus John. Cedwir Pob Hawl 2025/Bridgeman Images/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ROBERTS-JONES, Ivor
(20th century - (second half))
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
Mae'r Briw yn Borth
GESIYE
(2022)
© Gesiye/Amgueddfa Cymru
Amgueddfa Cymru
Dynion gyda Phowlen
GAUDIER-BRZESKA, Henri
(1914)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Mae gennym ddyletswydd i ddiogelu ein cynulleidfa. Mae'r cofnod gwrthrych hwn yn cynnwys delweddau all beri gofid.
<p>Rydym yn cydnabod bod y gwrthrych hwn, y dehongliad, neu ddeunyddiau ategol yn ymdrin â phynciau sensitif. Ym mhob achos posib rydym yn ceisio dangos gweithiau mewn cyd-destun ac esbonio pam eu bod yn rhan o'r casgliad cenedlaethol. Mae hon yn broses barhaus.</p>
Photographer: BEITLER Lawrence
(1930)
© Lawrence Beitler/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
JOHN, Sir William Goscombe
(1895)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
Anghymesur 1
Odundo, Magdalene
(2016)
© Magdalene A N Odundo/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ROBERTS-JONES, Ivor
(20th century - (second half))
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
<p>Figure of a boy on stilits. The boy wears a padded jump suit, woolen mask, plimsoles and gloves, all in black. Three knitted tubes, possibly sleeves from jumpers, inserted into one another and then padded creates a trunk-like appendage which covers and conceals the face. A metal bracket attached to the back of the figure slots into a receiver metal bracket secured to the wall.</p>
FORD, Laura
(2001)
© *********/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
RICE, Bernard
(20th century)
Amgueddfa Cymru
[No title]
ROBERTS-JONES, Ivor
(20th century - (second half))
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
[No title]
ROBERTS-JONES, Ivor
(20th century - (second half))
© DACS 2025/Amgueddfa Cymru
Amgueddfa Cymru
<p>Erbyn yr Ail Ryfel Byd yr oedd Epstein wedi ymsefydlu'n deg fel cerflunydd ffigurol blaenaf Prydain. Gwraig i ddiplomydd o Tseina a gafodd ei alltudio i Brydain ar ôl y chwyldro yn Tseina oedd Chia Pi ('Blodyn Gwerthfawr'). Cafodd y benddelw hon ei chynhyrchu mewn cyfres o bump. Prynwyd hi gan Margaret Davies ym 1953.</p>
EPSTEIN, Jacob
(1941)
© Ystâd Sir Jacob Epstein/Tate/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
TWISTON-DAVIES, Ben
(2003)
Amgueddfa Cymru
[No title]
ROBERTS-JONES, Ivor
(20th century - (second half))
© DACS 2025/Amgueddfa Cymru

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