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Nôl

Centrepiece

Feline, Edward (Silversmith)
Centrepiece
Delwedd: Trwy ganiatâd Amgueddfa Cymru
  Chwyddo / Rhagor o ddelweddau (11)

Ym 1730 byddai gosodiad fel hwn yn goron ar unrhyw fwrdd bwyd. Cafodd ei gynhyrchu ar gyfer teuklu Williams o Foderlwyddan a Chaer, a dyma'r esiampl gynharaf o'i fath o Brydain. Gallai'r teclyn gael ei addasu er mwyn cadw danteithion o fewn cyrraedd i ryw ddwsin o westeion, yn ogsytal â chanhwyllbrennau i oleuo'r cyfan.

Mae'r wefan hon yn tynnu ar ddata casgliadau hŷn. Rydyn ni'n cydnabod y gall peth o'r wybodaeth fod wedi dyddio neu'n gwahaniaethu, ac yn gweithio i ddiweddaru ein cofnodion. Os oes gennych gwestiwn neu sylw ar ddarn o gelf, cysylltwch â ni.

Datganiad hawlfraint wedi'i ddarparu gan Amgueddfa Cymru

Manylion

Collection

Amgueddfa Cymru

Rhif yr Eitem

NMW A 51194

Historical Associations

Association Type: Provenance

Creu/Cynhyrchu

Feline, Edward
Son of Peter 'Fellen' of St Martin's in the Fileds, tailor, apprenticed to Augustine Courtauld, 31 March 1709; Free, 6 April 1721. Two marks entered as largeworker, 25 September 1720, address Rose Street, Covent Garden. King Street, Covent Garden by 1739. Alive in 1745, probably dead by 1753, when Magdalen Feline, probably his widow, entered a mark from the same address.
Rôl: Production
Rôl: Silversmith
Lle: London, England
Cyfnod: 1730-1731

Derbyniad

Purchase - ass. of NACF, 19/10/1995

Mesuriadau

Uchder (cm): 40.6
Meithder (cm): 58
Lled (cm): 49
Uchder (in): 16
Meithder (in): 22
Lled (in): 19

Techneg

Cast
Forming
Applied Art
Raised
Forming
Applied Art
Chased
Decoration
Applied Art
Embossed
Decoration
Applied Art
Engraved
Decoration
Applied Art

Deunydd

Silver
Glass

Lleoliad

In store
Mwy

Tags

  • Arian/Metel Gwerthfawr
  • Bwyd A Diod
  • Celf Gymhwysol
  • Herodraeth, Arfbais, Seliau Ac Arwyddlun
  • Llwynog, Cadno
  • Metelwaith

Rhannu

Mwy fel hyn

Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Centrepiece
Production: Hanid, Miriam
(2010)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Cyfres 'Vintage': Potyn coffi rhew
Production: Gogna, Rajesh
(2009)
Amgueddfa Cymru
Baton and stand
Production: Turner & Simpson LTD
(1957)
© y gwneuthurwr/Amgueddfa Cymru
Amgueddfa Cymru
Darn Canol Bwrdd Con Brio
Production: Nguyen, Theresa
(2010)
© Theresa Theper/Penelope and Oliver Makower(1974)Trust/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
[No title]
Photographer: MORGAN, Llew. E.
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Candlestick
Production: Devlin, Stuart
(1977-1978)
Amgueddfa Cymru
<p>Figure, zoomorphic, soft-paste porcelain with clear glaze, the head of a fox, the body formed of a series of assymetrically placed, pointed protrusions, perhaps resembling the form of the tip of a fox's tail, standing on four slender legs; lightly incised over the body and head to give the impression of fur, the eyes pierced.</p>
Production: Woodrow, Sophie
(2014)
© Sophie Woodrow/Amgueddfa Cymru
Amgueddfa Cymru
Slight sketch of cloth band
POYNTER, Sir Edward
(1869)
Trwy ganiatâd Amgueddfa Cymru
Amgueddfa Cymru
<p>Dish, Britannia silver, irregular ovel form bisected by a curving triple-grooved section that widens towards the rim, small cast and oxidised silver rocks fixed to the sides of the grooves and eight more loose rocks to be distributed in front of the wide ends of the grooves.</p>
Silversmith: Rauni, Higson
(2017)
© Rauni Higson/Amgueddfa Cymru
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Vase
Production: Suzuki Hiroshi
(2005)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Vase
Production: Rawnsley, Pamela
(2005)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Vase
Production: Rawnsley, Pamela
(2004)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Gameboard, rectangular shape based on Royal Game of Ur. </p> <p>The original object was excavated from the Royal Cemetery in Ur in Iraq in c.1928 by Sir Leonard Woolley and is now held in the British Museum – Registration number 1928,1009.37. It was produced around 2600BC-2400BC. While there are interpretations there is still no clear way to play the game.</p> <p>In 2025 silversmith Will Romeril recreated the gameboard with 20 squares containing designs and information relating to facts and statistics found in government reports, service provider and economic data websites. Reflecting that the infrastructure of modern Britain is a game we don’t know how to play. Suitably titled: Royal Game of Urm...?</p> <p>Both the artefact in the British Museum and this artwork contains 18 pieces - 1 gameboard, 3 tetrahedral dice, and 14 player tokens.</p>
Metalworker: ROMERIL, William
(2025)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Bowl, fine silver, square form hand-raised in six lobed segments of different sizes, hammered finish, polished edges.</p>
Production: Brown, Abigail
(2006-2007)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Vessel
Production: Rawnsley, Pamela
(2006)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Dish, parcel-gilt sterling silver, elongated oval standing on a plain vertical oval foot ring, raised from a single sheet with sloping sides and a single oval depression in the centre, the inside of the bowl gilded.</p>
Production: Ryan, Benjamin
(2010)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Vessel
Production: Rawnsley, Pamela
(2006)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
Jug
Production: Knight, Chris
(1993)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Vessel sequence, a pair of vessels, sterling silver, each with a flat rectangular base, the sides swelling and rising to an angled rim of leaf-shaped plan that rises to a point at the right, the smaller vessel standing on the left and gilded inside, the taller vessel standing on the right and black gilded inside.</p>
Production: Rawnsley, Pamela
(2008)
Amgueddfa Cymru
Rydyn ni’n gweithio ar ryddhau’r ddelwedd hon.
<p>Organic form, Britannia silver, comprising a near-spherical bowl into which an opening in the lower side leads into a tube, this curving across the interior to pierce the side, continuing to a heel-like turn then rising and widening to a level rim, two small hemispherical bosses attached to the underside of the bowl for stability.</p>
Production: Denny, Sarah
(2008)

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